Eugène Giraud

Gentleman - Original Drawing in Pencil by Eugène Giraud - Late 19th Century

Late 19th Century

Gentlemen is an Original Drawing in pencil realized by Eugène Giraud in the Late 19th Century. Applied on a Cardboard, included a blue Passepartout: 33 x 41 cm. Good conditions. T...

Portrait of Man from behind is an Original Drawing in China Ink Drawing realized by Eugène Giraud in the Late 19th Century. Good conditions. The delicate and beautiful fine strokes...

Portraits is an Original Drawing in China Ink realized by Eugène Giraud in the Late 19th Century. Good conditions. The delicate and beautiful fine strokes form the artwork. The mas...

Portrait of Gentleman is a drawing in Pencil, Charcoal, and watercolor realized by Alfred Grévin in the late 19th Century. Applied on a Passeprtout. Hand-signed in pencil In good ...

A refined study by the artist Edward Ridley (1883-1946) depicting a gentleman dressed in theatrical clothing. Signed verso. 'E.S.K' blindstamped. On paper.

A pen and ink drawing attributed to the well known British artist Gordon Frederick Browne. Label to the reverse reads 'Gordon Frederick Browne RI, RB (1858-1932) Son of 'Phiz'. Exhib...

Pierre-Georges Jeanniot (1848–1934) Portrait of Henri Rochefort ready for a duel, Pencil on paper Signed and titled lower left 28 x 21 cm In good condition : the left and right borders irregularly cut In a modern cardboard mount : 45.5 x 35 cm Henri Rochefort, whose complete name was Victor Henri de Rochefort-Luçay , was born in Paris on January 31 , 1831, he died in Aix-les-Bains on 1 st July 1913. He was a french journalist , playwright and politician A great polemicist in the pages of his newspapers ( La Lanterne , La Marseillaise , L'Intransigeant), he defended radical and even extremist political options (anticlerical , nationalist , favorable to the Commune , Boulangist , socialist and anti-Dreyfusard ) which earned him the nickname of "The man with twenty duels and thirty trials », And convictions, in particular in the prison of Noumea from which, unique fact, he managed to escape in 1874. Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris. He started out pursuing a military career, as an infantry officer (1866–1881). He was a lieutenant with the Twenty-third Infantry from 1868 to 1870. He fought in the Franco-Prussian War, was wounded at Rezonville, and was awarded the Légion d'Honneur. He subsequently served with the Ninety-fourth Infantry and the Seventy-third Infantry. At the time he left the army he held the rank of major, with the Chasseurs à Pieds. He never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety. From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits...

A delicate life study by the artist Pierre Neveu (b.1929). Signed to the lower right. On laid.