Eugène Giraud

Musketeer from Behind- Drawing on Paper by E. Giraud - Late 19th Century

Late 19th Century

The Lady is a drawing realized in the late 19th Century by Louis Anquetin (1861-1932). Cina ink drawing on paper. Hand-signed on the lower. Good condition with missing pieces of p...

The Army is an original drawing on ivory-colored paper, realized by Isidore Pils in the mid-19th Century. Ink Drawing. In good condition, with a missing piece of edge. The artwork...

La Guerra 15/18  is anartwork realized by Brunet. China ink drawing and watercolor. Good conditions. Including a cardboard passepartout: cm 50 x 34,5. It represents a satirical sc...

Signs of the Zodiac, Taurus and Gemini is an original modern artwork realized by Jacques Villon in 1937. China ink drawing. Hand signed and dated on the lower margin. Vintage fram...

Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century William Gropper (1898 - 1977) "Family at the Beach" 27 1/2 x 19 1/2 inches Mixed media on paper, c. 1940 Signed lower left Provenance: Estate of the artist. The drawing will ship from the home of Mr. Gropper's grandson. Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era Jo Cain (1904 - 2003) Good Health Week – double sided 13 3/4 x 20 1/2 in...

Donald Stacy "Star Ear" c.1950s Ink on paper Black wood frame 9.75"x17.25 Signed lower right in pencil Came from artist estate This striking piece of art is an original drawing by r...

Donald Stacy "Mask" c.1950s Ink on paper Black dark wood frame 10.25"x17.25" Unsigned Came from artist estate Introducing an original piece by the American artist Donald Stacy title...