Flor David

Man In Profile - Charcoal Drawing by Flor David - 1950s

1950s

Man is an original pencil drawing on ivory paper realized by Flor David in the 1950s. This is an original drawing representing the profile of a Man. The artwork is depicted through ...

Profilo maschile (Male profile)   is al drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Pencil drawing...

The Profile is an Original Drawing in pencil on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. With another drawing o...

Male Profile is an original artwork realized by Anna Elisabeth de Noaille in the first decades of the XX Century. Original pencil on paper. Hand-signed...

A striking male portrait in black India ink. The painting has been presented in a contemporary black frame with a white card mount. On thin chin colle.

Julius Thiengen Bloch (American, born Germany, 1888–1966) Profile Portrait Crayon on paper, 5 x 3 1/4 inches FRAMED: 13 1/2 x 12 inches (approx.) This sketch comes directly from th...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...