Flor David

Two Women - Charcoal Drawing by Flor David - 1950s

1950s

Charcoal and watercolor drawing on paper realized by Mino Maccari in the mid-20th Century. Very good condition.

Nude On The Train is a charcoal Drawing on creamy colored paper realized in 1960 by Mino Maccari in the mid-20th century. Hand-signed on the lower in pencil. Good condition on yell...

The Architecture is an original Drawing in charcoal and pencil on paper realized by Hermine David in the mid-20th century. Good conditions. The artwork is represented through rapid...

Portrait of Man is an original drawing, pencil, charcoal, watercolor on paper, realized by Albert Decaris in the mid-20th Century. Good conditions.

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining Female Nude, Charcoal on Paper, woman resting upon patterned drapery, with the artist's signature stamped lower right, un...

Ben Macala (1938 - 1997) - Four Faces, Year: 1976, Medium: Charcoal on Paper, signed and dated lower right, Size: 24.5 x 28.5 in. (62.23 x 72.39 cm)

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Charcoal on paper, signed lower left Image size: 15 3/4 x 21 inches (40 x 53.5 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...