Gabriele Galantara

The Terror Of Big Heads - Drawing by Gabriele Galantara - Early 20th Century

Early 20th Century

Figure is an original drawing in pen, tempera and watercolor realized by Pierre Charles Danobis in 1943. Good Conditions. The artwork is depicted through confident strokes in a wel...

Magic Tears is a modern artwork by  Gabriele Galantara (1865-1937) in the early 20th century. The artwork has been realized in China ink, tempera and watercolor on cardboard. Good ...

Thinking Man is an original painting in tempera, pen, gouache, and mixed media realized by Jean Marchal. Hand-signed on the lower left. The state of preservation of the artwork is ...

Il Kaiser is an original drawing in China ink and tempera on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents on the back som...

Dick Stone was a top mid-century illustrator who worked for the most famous brands. He was an assignment artist hired by such esteemed Ad Agencies as BBDO ...

Mark Tobey "Men at the Seattle Public Market" (Two Figures) 1958 Ink and Tempera on Silk Signed and Dated Lower Left *This is a rare and important work. See attached images with book...

Artist: Thomas Guise – Scottish (1916- 1984) Title: Witness Year: 1965 Medium: Watercolor, pen Size: 14.75 x 17.75 inches Signature: Signed, dated lower right. Titled en verso Condition: Good Frame: Unframed This watercolor and ink painting is by the noted Scottish artist, Thomas Gladstone Middleton (TGM) Guise (1916-1984). He received instruction at the Edinburgh Academy and went on to study art at Edinburgh College of Art under Thomson Adam Bruce, Royal Scottish Academy (1947-1949). Guise also traveled and exhibited in the U.S. This particular work was exhibited at the Los Robles Gallery in Palo Alto, CA in 1968. The painting is unframed on artist's board. It is in very good condition with no flaws to note. Biography 1916 - Born on Davidston Farm near Cromarty, Black Isle, Ross-shire, Scotland. 1921 - 1938 Educated Inverness and Edinburgh, Scotland. 1939 - 1946 Served with the Royal Artillery. 1946 - 1980 Worked in painting, process engraving, printing, lithography and commercial art with Featherhal Press. 1947 - Award for Life Drawing. 1984 - Died, Edinburgh, Scotland. Mixed Shows 1948 - 1984 RBA, RSA, RI, RSW, RGI, SSA, NEAC. Trends Arun Art Centre The Bath Festival Exhibition by FPS (Modern Art) Solo Shows 1966 - Randolph Gallery, Edinburgh Festival 1967 - Encina Gallery Stanford University, California, United States 1968 - Los Robles Gallery, Palo Alto, California, United States 1968 - Randolph Gallery Edinburgh Festival 1970 - Clarkson Gallery, Victoria Street...

Louis Osman was an English artist, architect, goldsmith, silversmith and medallist. He is notable for the gold coronet he designed and made for the investiture in 1969 of Charles, Prince of Wales. We have acquired a large archive of Osman's works form his daughter; to see the other Osman works available, please scroll down to "More from this Seller" and below it click on "See all from this Seller." Louis Osman (1914 - 1996) Staunton Harold: Restoration of the Organ (1953) Pen, ink, and watercolour 63 x 63 cm Titled below, signed lower right, and labelled in Osman's hand. Osman's architectural design for the restoration of the organ at Staunton Harold Church, part of the Staunton Harold estate. The church, known as the Chapel of the Holy Trinity, is a 1653-built Gothic chapel. It was commissioned by Sir Robert Shirley (the Shirley family were Anglicans and Royalists, and the ornate design of the church is likely why Sir Robert was imprisoned under Oliver Cromwell). Osman was as much an artist as an architect. He studied at the Bartlett School of Architecture; he was awarded a First Class degree and the Donaldson Medal of the RIBA (for the best result in his year group), and then went on to the Slade School of Art. He subsequently trained with Sir Albert Richardson - we also have several Richardson works in our collection. After the war, Osman busied himself as an architect. His work included contributions to Westminster Abbey, and Lincoln, Exeter, Ely, and Lichfield Cathedrals, Staunton Harold Church in Ashby de la Zouch for the National Trust, and of course his folly: the Grade I listed Elizabethan manor house, Canons Ashby in Northamptonshire, now a National Trust property. At Canons Ashby he established a workshop and had a team of silversmiths and goldsmiths working for him. In 1976 he made the gold enamelled casket that holds the copy of the Magna Carta...