Harry Carleton Attwood

Orpheus - Art Deco British watercolour design for a mural by H C Attwood

1936

HARRY CARLETON ATTWOOD (1907-1985) Resting - Design for Eltham Palace Watercolour over traces of pencil Framed 20 by 14 cm., 8 by 5 ½ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

This beautiful British Art Deco 1930's water colour and ink painting on paper is by well respected artist Averil Mary Burleigh. Painted circa 1935 the composition is of three female figures with flowing robes and head dresses with slender tree trunks beyond them and vivid blue of the sky meeting the sea. (Caerula pertains to the colour of the sky and sea). They are playing between them with two balls or globes. A beautiful painting full of fun and movement and that amazing blue. Signed lower left, and inscribed on a label verso. Provenance: Surrey estate. Condition. Water colour and ink on paper. Image size is 24 inches by 16 inches and in excellent condition. Frame. Housed in a gilt frame. Framed size is 30 inches by 22 inches and in good condition. Averil Mary Burleigh born Averil Mary Dell (1883 – 1949) was a British artist and painter. Based in Sussex, Burleigh was known for painting in egg tempera with the subject usually involving a central figure. Her husband and daughter also painted but she is the best regarded of the three. Burleigh was born in 1883 in Hassocks in West Sussex and went on to study at the Brighton School of Art. She married the painter Charles Burleigh and they lived and worked together as artists in Hove and Sussex. They designed a house with a large sun-lit top floor studio. Their daughter Veronica, who would also become a notable artist, was born there in 1909. The family never became rich from their works, and often relied on Burleigh's flair for buying and selling shares. In 1911 Burleigh illustrated a book of John Keats' poetry and went on to illustrate plays by Shakespeare. In 1913 she was featured in Studio magazine. In 1927 Burleigh illustrated Thistledown by Leolyn Louise Everett. From 1939 she was a member of the Royal Society of Painters in Watercolours. Burleigh became very ill in the 1940s, dying in 1949. Shortly before she died, Burleigh was elected an associate of the Royal Watercolour Society. Burleigh specialised in tempera painting, although she also worked in chalk and watercolour. Her works tend to have a bright colour palette with contrasting colours to lead the eye around the picture. A sharp luminosity and strong sense of design govern Burleigh's tempera and watercolour paintings. Frequently, her works portray decorative renaissance subjects, usually dominated by a female figure who is regularly modelled on her daughter, Veronica Burleigh...

Study for Scenography is a painting in watercolor realized in the 1920s by Erminio Loy. Hand-signed on the lower right. Good conditions. The artwork represented through harmonious...