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Jacobo Amigoni
Allegorical Scene - Pen, Brown Ink and watercolor attributed. to J. Amigoni

Early 18th Century

Price:$1,172.71
$1,443.52List Price

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Two Angels - Ink and Watercolor Drawing by A. Brustolon - Early 1700
By Andrea Brustolon
Located in Roma, IT
Due Angeli is an original artwork realized by Andrea Brustolon. Mixed media, ink and watercolor. The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...
Category

Early 18th Century Baroque Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Gigantic Birds - Drawing by Gabriele Galantara - 1920s
By Gabriele Galantara
Located in Roma, IT
Gigantic Birds is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork has been realized in Ink, Tempera, Watercolor, and White Lead on paper. ...
Category

1910s Modern Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Pen

Austrian Soldiers - Drawing by Gabriele Galantara - 1916
By Gabriele Galantara
Located in Roma, IT
Austrian Soldiers is a modern artwork by Gabriele Galantara (1865-1937) in 1916. The artwork was realized in China ink and watercolor on cardboard. ...
Category

1910s Modern Figurative Drawings and Watercolors

Materials

Ink, Pen, Watercolor

The Call of War - Drawing by Gabriele Galantara - Early 20th Century
By Gabriele Galantara
Located in Roma, IT
The Call of War is an original artwork realized by Gabriele Galantara in the Early 20th Century. Drawing in ink, watercolour and pen. For the Cover of magazin "L'Asino" published ...
Category

Early 20th Century Modern Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Pen

The Woman - Drawing by Gabriele Galantara - 1905
By Gabriele Galantara
Located in Roma, IT
The Woman is an artwork realized by Gabriele Galantara in 1905 Century. Drawing in tempera, ink, and watercolor. Monogrammed RL. The status of preservation is good, aged. Gabriel...
Category

Early 1900s Modern Figurative Drawings and Watercolors

Materials

Ink, Tempera, Pen

The Terror Of Big Heads - Drawing by Gabriele Galantara - Early 20th Century
By Gabriele Galantara
Located in Roma, IT
The Terror Of Big Heads is an original artwork realized by Gabriele Galantara in the Early 20th Century. Drawing in ink, tempera and pen. For the Cover of magazin "Asino" publishe...
Category

Early 20th Century Modern Figurative Drawings and Watercolors

Materials

Ink, Tempera, Pen

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Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
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Orpheus and the Animals, A Study after an Ancient Bas-Relief
Located in New York, NY
Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...
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Seaman in petticoat breeches and slops, smoking a pipe, carrying a carpetbag.
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Eight Surrealist Compositions
Located in Astoria, NY
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By Stephen Longstreet
Located in Fairlawn, OH
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