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Joyce Wieland
Isle of the Blessed

1987

$3,250
£2,441.49
€2,815.44
CA$4,509.80
A$5,011.38
CHF 2,626.02
MX$61,455.66
NOK 33,493.32
SEK 31,509.28
DKK 21,013.22
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About the Item

Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, over the course of her career Wieland explored the role of women, the body, nationalism, and intimacy using a variety of mediums. While she experienced several professional "peaks and valleys", Wieland established new benchmarks for what was possible for a female artist to achieve. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. During the 1970's Wieland was consumed by creating a feature-length film entitled "The Far Shore" about Tom Thompson and a love triangle. For better or worse, Wieland's production of art was greatly reduced during the era because of her focus on the project. In the 80's Wieland recommitted to her art practice, and explored mythology, feminist discourse, ecology and themes of sexuality and intimacy. Her palette becomes notably vibrant and juicy during the final years of her output. This untitled work is evocative of Wieland in the 1980's. It is richly colored and dynamic and conveys elements of fantasy and magic. While we are not certain of what is being depicted, we suspect that this is alluding to Greek mythology; small boats, a waterscape evocative of the Greek islands, a profile sculpture on a plinth, etc. Today, Wieland's works can be found in numerous public collections across Canada including the National Gallery, Museum London and the Art Gallery of Ontario (Toronto). Questions about this piece? Contact us. Watercolor and mixed media on paper Signed and dated 87 by the artist 10"H 13.5"W (work) 14"H 17"W (framed) Framed with museum glass Very good condition Note: additional framed images coming soon
  • Creator:
    Joyce Wieland (1931 - 1998, Canadian)
  • Creation Year:
    1987
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 13.5 in (34.29 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    very good condition.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 05-251stDibs: LU215216444822

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By Joyce Wieland
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Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman in her era in a male-dominated field. Wieland established new benchmarks for what was possible for a female artist to achieve. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. Many of her innovative creations predate similar works by female artists...
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Heart Factory
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Trio with Cat
By Joyce Wieland
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Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman in her era in a male-dominated field. Wieland set new standards for what women artists could accomplish and was the first woman artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. Many of her innovative creations predate similar works by female artists...
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Crash Comic
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Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, over t...
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Late 20th Century Feminist Drawings and Watercolor Paintings

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Untitled (Red Bulge Drawing)
By Joyce Wieland
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Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, throug...
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Joyce Wieland "Marie Antoinette"
By Joyce Wieland
Located in Toronto, Ontario
Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman during an era in a male-dominated field. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971 and the Art Gallery of Ontario (Toronto) in 1987. Although Wieland was an artist who was always drawing, she launched her career as a painter. Always experimenting, her art practice expanded to incorporate a range of media and materials, from textile works to film. In New York City, she was best known as an experimental filmmaker. In the mid 1960s Wieland began to embrace more representational and narrative elements in her work. Inspired by comic books, and her background in film as an animator, Wieland embraced figuration albeit clearly influenced by Pop Art. One of the reoccurring motifs in Wieland's oeuvre is playing with and subverting icons of femininity. In this work Wieland presents icons inspired by the French Queen Marie-Antoinette: a jewelry or hat box, a hairbrush, a medallion. The artist seems to be willing to give a make-over to the Queen. In the "nice medallion painting...
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1960s Modern Figurative Drawings and Watercolors

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