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Lyonel FeiningerThree Figures with Umbrellas - Watercolor German American Bauhausca. 1954
ca. 1954
$27,900
£21,068.97
€24,122.03
CA$39,402.09
A$43,017.65
CHF 22,552.40
MX$522,465.97
NOK 281,642.71
SEK 265,945.82
DKK 180,045.23
About the Item
This work is hand signed in ink by the artist "Feininger" at the upper right corner.
Provenance:
The Collection of Peter Kamnitzer.
Peter Kamnitzer (1922-2016) was a renowned and respected violist. He was a graduate of the Juilliard School, New York and a longstanding and member of “La Salle Quartet”, where he was a violist for 40 years. “La Salle Quartet” was established in New York City by Jewish refugees from Europe and was well known for their recordings of Beethoven, Schoenberg, Zemlinsky, Berg and Webern, which were available on Deutsche Grammophon. Kamnitzer’s favorued instrument was the “Medici” viola made by Girolamo Amati and which had for many years been considered to have been created by Stradivarius – but subsequently was discovered to be an Amati which was worked on by Stradivarius.
He was trained as a violinmaker and throughout his life made many instruments as well as repaired countless others. The talented musician also held teaching positions with the Colorado College and Cincinnati College conservatory.
The artist Lyonel Feininger was related to Kamnitzer’s mother and this work was acquired directly from the artist.
The work is included in the Lyonel Feininger Archives with the number 1809-10-06-22.
Condition: Good condition. Tipped to the backing board along the sheet edges, verso.
- Creator:Lyonel Feininger (1871-1956, American)
- Creation Year:ca. 1954
- Dimensions:Height: 4.02 in (10.2 cm)Width: 6.3 in (16 cm)
- More Editions & Sizes:UniquePrice: $27,900
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18016574402
Lyonel Feininger
Lionel Feininger (1871–1956), a German-American painter, graphic artist, and caricaturist, developed a distinctive style influenced by Cubism and Expressionism. Born in New York City but raised in Germany, Feininger honed his skills at the Hamburg School of Arts and Crafts before studying under renowned artists in Berlin. Initially associated with the avant-garde group "Die Brücke" (The Bridge), Feininger's style evolved over time, gravitating towards Cubism after being inspired by artists like Picasso and Braque. His participation in the "Der Blaue Reiter" (The Blue Rider) exhibition in 1911 further solidified his reputation as an essential figure in the Expressionist movement. Returning to the United States during World War I, Feininger became associated with the American avant-garde, though the Nazis later targeted his works in the "Degenerate Art" exhibition. Feininger experimented with various mediums throughout his career, producing bold and vibrant works depicting urban landscapes and architectural motifs. His legacy as a pioneer of modern art continues to resonate, with his contributions to Cubism, Expressionism, and abstract art celebrated worldwide. Feininger passed away in 1956, leaving behind a rich and influential body of work.
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