Maurice Denis

Largo

From Crochet Series I-V Framed Initialed in pencil and numbered 49/50 Mixografia printed in red on handmade paper Sheet size is 33.5 x 28 inches Framed size is 37.25 x 32.13 inches...

James Louis Steg Untitled (children playing and dolls) 30 x 22 “ Xerography on paper on paperboard Unsigned This is a unique work, a collage made from manipulated xerography. James...

Alexander Archipenko is known for his elegant figurative works. A pair of drawings of a man and woman have the strong, beautiful lines Archipenko mastered. Graphite on brown paper. ...

Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...

Signed, titled, dated and numbered in pencil recto Image size is 12 x 12 inches, Framed size is 26 x 25 inches Published by Parasol Press

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 31.3 x 24.2 cm (12 ⅜ x 9 ½ inches) Signed lower right, L.Rodo This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro. Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo". The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period. In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there. Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father. By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris. In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana. Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage en Normandie by Georges Manzana Pissarro (1871-1961) Charcoal on paper 32 x 39 cm (12 ⅝ x 15 ⅜ inches) St...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Still Life by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 28.4 x 24.3 cm (11 ⅛ x 9 ⅝ inches) Signed lower...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Pont du Vey by Paulémile Pissarro (1884-1972) Charcoal on paper 24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches) Signed ...

SOLD UNFRAMED Le Petit Cheval by Georges Manzana Pissarro Charcoal and gold on paper 31 x 31 cm (12 ¼ x 12 ¼ inches) Signed lower right, Manzana Pissarro Executed circa 1920 Proven...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Ramassage de Foin by Paulémile Pissarro (1884-1972) Charcoal on paper 26 x 33 cm (10 ¹/₄ x 13 inches) Signed l...