Mogniat-Duclos Bertrand

Angel - Original Pen on Paper by Bertrand Mogniat-Duclos - Mid-20th Century

Mid-20th Century

Nude in the bed is an original colored drawing in pen on ivory-colored paper, realized by Mogniat-Duclos Bertrand, a French painter. In very good conditions. This artwork is a very...

The Angel is an ink drawing on paper realized in the early 20th Century by Louis Anquetin (1861-1932). Hand-signed on the lower. Good condition with slight foxing. Louis Émile Anq...

Figure in the Woods is an original colored drawing in pen on ivory-colored paper, realized by the French painter Bertrand Mogniat-Duclos. In very good conditions. Image Dimensions: ...

Justice is an original drawing in pen on ivory-colored paper, realized by the French painter Bertrand Mogniat-Duclos. In very good conditions. This artwork is a very beautiful draw...

Niobe Greek mythology theme signed, 1938 framed (1 chip off on frame finish).

This stunning charcoal drawing lithograph print on paper depicting a fanciful lion kidnapping a young woman was designed by Adolf Uzarski (1885-1970), a German artist. This drawing i...

Demetrios GALANIS (1879-1966) Studies of Angels Original Indian ink drawing Signed with the blue stamp signature of the artist On vellum 25 x 19 cm (c. 10 x 8") Very good conditi...

Jean Dupas (French, 1882 – 1964) The angel of light Pen and ink and charcoal on paper 14.3/4 x 12.1/2 in. (37.5 x 31.8 cm.) One of the leading artists of the Art Deco period, Jean Théodore Dupas was the son of a merchant marine captain and began his adult life as a merchant seaman. Poor health meant that he had to abandon this career and he enrolled in art school instead, first in his native Bordeaux and later in Paris. He won the Prix de Rome in the category of painting in 1910 and studied at the Académie de France in Rome, from where he sent several paintings to the Paris Salons, although his studies were interrupted by the outbreak of war. Dupas’s work came to public prominence on the occasion of the seminal Exposition des Arts Décoratifs in Paris in 1925. He was chosen by the furniture designer Jacques-Emile Ruhlmann to provide paintings for the latter’s Maison d’un collectionneur, alongside furniture by Ruhlmann and objects by many of the leading Art Deco craftsmen of the day, while other paintings by Dupas were also displayed to great effect elsewhere in the Exposition. In the late 1920’s and 1930’s Dupas won a number of important and prestigious commissions. In 1926 he worked alongside Ruhlmann and the sculptor Alfred Jeanniot on the decoration of the tearoom of the ocean liner Ile-de-France; the first of the grand transatlantic ships to be built in France after the First World War. By this time Dupas had firmly established his reputation. Writing in 1927, his fellow artist George Barbier could already note that ‘Few artists have at such an early age attained such a degree of success, or gathered around them such swarms of imitators and disciples.’ Dupas reached the height of his fame in the mid 1930’s, and in 1934 he received his most important commission to date; a series of large glass murals...