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Young Girl with a Basket

c.1780

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Dancing Couple
Located in Paris, Île-de-France
Attributed to Charles-Nicolas Cochin the Younger (Paris, 1715 – 1790) Dancing Couple Circa 1765–1770 Red chalk on cream paper; verso in black and red chalk 34 × 21 cm Provenance: ...
Category

Late 18th Century Old Masters Figurative Drawings and Watercolors

Materials

Chalk

Interior of the Nieuwe Kerk, Amsterdam
Located in Paris, Île-de-France
Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reve...
Category

Early 18th Century Old Masters Interior Drawings and Watercolors

Materials

Chalk, Ink

Man on Horseback Abducting a Woman
Located in Paris, Île-de-France
Jean-Robert ANGO (Active 1759 – 1773) Man on Horseback Abducting a Woman Red chalk and white chalk 26.1 x 25.9 cm Provenance Libert-Castor sale, November 19, 1993 (lot no. 23, ill...
Category

1760s Old Masters Animal Drawings and Watercolors

Materials

Chalk

Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Paris, Île-de-France
GIOVANNI FRANCESCO BARBIERI, known as GUERCINO (1591-1666) Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso) Black chalk heightened with white on light blu...
Category

1620s Old Masters Nude Drawings and Watercolors

Materials

Chalk, Charcoal

Studies of a kneeling female figure, an arm, a hand, and a head in profile
By Carlo Maratta (Ancona 1625 - Rome 1713)
Located in Paris, Île-de-France
Studio of Carlo Maratti (or Maratta) Camerano 1625 – Rome 1713 Studies of a kneeling female figure, an arm, a hand, and a head in profile Red chalk on paper 43.4 x 26.6 cm Provena...
Category

Late 17th Century Old Masters Figurative Drawings and Watercolors

Materials

Chalk

Virgin and Child with Saint John the Baptist and Saint Jerome
Located in Paris, Île-de-France
Felice Pinariccio, known as Le Lasagna (active in Bologna during the 1560s-1570s) Virgin and Child with Saint John the Baptist and Saint Jerome Pen and brown ink, brown wash heighte...
Category

16th Century Old Masters Figurative Drawings and Watercolors

Materials

Ink

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Silvio and Dorinda, a drawing by Leonaert Bramer, Vermeer's first master
Located in PARIS, FR
This finely executed drawing in pen and wash is typical of the work of Leonaert Bramer, one of the most fascinating yet little-known artists of 17th-century Holland. In a nocturnal ...
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1650s Old Masters Figurative Drawings and Watercolors

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Ink, Gouache, Laid Paper, Pen

Design for a large wooden confessional from the Fantoni Workshop
Located in Middletown, NY
A beautiful 17th century design for a confessional from the most important woodshop in Bergamo. Pen and grayish black ink on cream laid paper, 11 1/8 x 7 1/4 inches (283 x 185 mm), ...
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Mid-20th Century Old Masters Interior Drawings and Watercolors

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At Tunbridge Well
By Agostino Aglio
Located in Middletown, NY
Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...
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Early 19th Century Old Masters Landscape Drawings and Watercolors

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Crayon, Handmade Paper, Laid Paper, Color Pencil, Graphite

Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category

16th Century Old Masters Figurative Drawings and Watercolors

Materials

Ink, Laid Paper, Pen

The Assumption of Mary Magdalene, Italian School, 16th Century
Located in Middletown, NY
Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...
Category

16th Century Old Masters Figurative Drawings and Watercolors

Materials

Ink, Handmade Paper, Laid Paper

Study of horse and ox bones
By Salvator Rosa
Located in Middletown, NY
Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...
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Mid-17th Century Old Masters Figurative Drawings and Watercolors

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Ink, Handmade Paper, Laid Paper, Graphite

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