Child Figurative Drawings and Watercolors

Title: Mid Century French Pencil Drawings of a Woman Cooking in a Kitchen Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9.75 (height) x 6.5 (width) Stamp...

Title: French Gouache Painting of Sioux Scalp Dance Ritual in South Dakota by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper,...

Landscape is a modern artwork realized by in the Mid-20th century Charcoal. Good conditions 

Antique French Study Sheet signed pencil sketch on artist paper painting: 20.75 x 15 inches provenance: private collection condition: good and sound condition with some damages to age.( Shown in photos.) Description: This fascinating antique sketch...

Signed lower left, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'Ability of the Working Classes to Enjoy Meals Under Humble Surroundings'. ...

17th Century Old Master Drawing Old master drawing with figure and putti Housed in a handsome contemporary wooden frame Drawing dimensions 4...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper, double sided Size: 8 height) x 5.5 (width) Stamped Verso Condition: Goo...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...

The Mirror is a Watercolor Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 1...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

The image is original drawing by Virgil Ross featuring Marvin the Martian pointing a gun at Daffy Duck as Duck Dodgers. It's based on the 1953 cartoon "Duck Dodgers in the 24½th Cen...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

"Storytime" (2023) by Allen Williams is an original graphite drawing on Strathmore medium weight drawing paper that depicts a young girl reading a book ...

Image dimensions: 15 X 10 cm. This Persian Miniature scene of men with scimitar is a unique precious original painting on the front with handwriting...

Scaramouche - Pierrette is a contemporary artwork realized in 1979 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled an...

A brightly colored, Mid-Century, watercolor and charcoal on paper image of a boy by notable artist Margo Hoff, titled "Sun Child". Image size: 31" x 22". Framed size: 34" x 25". ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed top left and dated ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) Oriel College, Oxford 27 x 39 cm Watercolour We are lucky to be able to offer here the original watercolour from which Casson’s print of the College was produced. We also (elsewhere on the site) offer the print from his ever-popular Oxford and Cambridge series. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Potthast, Edward H. GIRL WADING. Colored pencil drawing on paper, not dated. Signed recto, lower right "E. Potthast," lower right, and inscribed "Holiday Greetings" and signed "Edw. ...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

Cattle Louis De Mayo, American (1926–2016) Ink on paper, signed in pencil lower right Size: 8.25 x 6.25 in. (20.96 x 15.88 cm) Frame Size: 16.25 x 14.25 inches

Ink and Watercolor drawing realized by Mino Maccari in 1945 ca. Hand signed lower right. Very good condition.

This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. The stripe down...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

Gouache and color pencil on paper Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths alre...

MAXWELL ARMFIELD, RWS. (British 1882-1972) Costume Design for Geranos Signed l.l.: MAXWELL ARMFIELD, inscribed u.l.: Costume, PHEONIX CEREMONY/ IAN (?) VALO as DAVID, and further i...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This delicate drawing of the dance between a Faun and the Nimph, looks following the Jean Cocteau clean line drawings. We can see in this scene, the grace and simplicity of the Neoc...

A fascinating glimpse of holiday life in the early 20th century, this beach scene features characters of various ages enjoying a day at the seaside. Well presented in a gilt effect f...

A charming and colorful vintage coastal figurative landscape watercolor by Bay Area artist Sewall Smith (American, 1904-1988), c.1960s-1970s. This coastal scene depicts a plein air art class on the beach, with a group of figures busy working at their easels. Signed "Sewall Smith" lower right. Displayed in a new mat and vintage wood frame. Image size: 10.5"H x 13.25"W Edmund Sewall Smith, known as Sewall Smith or E. Sewall Smith, was a Berkeley, California based architect and artist known for watercolor paintings with nautical themes. A well known architect, Smith moved from Niagara Falls, New York to California in 1944. He flourished as an artist in the Bay Area in the 1970’s, exhibiting extensively in the East Bay throughout this time. Exhibitions included venues such as UC Berkeley, El Cerrito...

Judith Brenner Solfrid Dancing 2 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Plea...

Artist: TARKAY, ITZCHAK Title: "PARK CAFE" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is in e...

This children's Art Print on recycled paper features a delightfully sweet little girls dress. The contemporary and timeless aesthetic makes it perfect for a child's room or nursery. ...

Figure is an original drawing realized by Unknown Artist in mid-20th Century. Beautiful watercolour drawing on brown-colored paper. Included passport (35 x 28 cm). Good condition, ...

A lively and detailed mid-1940's vintage boardwalk scene of Santa Cruz, California by California artist Cassard (20th Century), 1944. This figurative...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

A detailed miniature watercolour study depicting figures enjoying a street performer. Possibly Turkish or Middle Eastern. Well presented in an ornate gilt-effect frame. Signed indist...

Cavalry is a beautiful watercolor on paper, realized in the mid-XIX century by Théodore Géricaul Fort (1810 - 1896). Hand-signed in brown ink on the lower right corner. A knight is portrayed in his uniform and galloping on a beautiful Arabian stallion, with the trumpet on his shoulders, ready to give the signal to attack to the cavalry. In excellent conditions, with shiny colors, including a white cardboard passepartout (49.5 x 34 cm). A very interesting artwork for a connoisseur of the militaria genre! Theodore Géricaul Fort (1810 - 1896), Simeone Fort's son, belonged to the French school of the XIX century; Théodore Fort...

This late 19th century French pen and ink drawing depicts the decoration of Monte Carlo by Lucas and George Clairin (French, 1843-1919). The price inc...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

Illustrated for the 1949 Four Seasons Calendar, published by Brown and Bigelow. A young girl holds a freshly-picked bouquet of flowers as she strolls alongside a boy who carries he...

Painted circa 1950 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

A watercolour scene depicting three children feeding a white rabbit perched in its hutch. Presented glazed in the original oak frame with a bevelled edge. Unsigned. On wove.

Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed bottom left. Circa...

Alfred W Cooper, 19th Century Waiting by the weir Signed with initials Watercolour with touches of gouache 6¾ x 9¾ inches 12 x 16 inches with the frame A delightful Victorian scene...

A enchanting & intimate 19th century Swiss pastel portrait painting of a beautiful young girl, circa 1870, attributed to the celebrated Swiss artist Albert Anker (1831-1910). The pai...

A Striking Modern 1946 Vermont Studio Scene of a Standing Female Model in a Doorway by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a finely executed portrait of t...

Figures is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged m...

Signed and inscribed, lower center: Joseph / Ramanankamonjy / Madagascar / Petite fille / “aquarelle sur soie” Provenance: Private Collection, Paris Private Collection, Florida Som...

"Revolutions" is a dynamic and unique ink and pastel drawing on paper by Patsy McArthur showing a fashionable female figure dancing. The energy and movement makes it fun and whimsica...