Thomas Stothard

"Ignorance Endeavoring to Prevent Inquiry from Reading the Book of Truth"

Early 19th Century

Kayo Lennar (French/American, b. 1923), "Viva", Ink on Paper, 1997, signed lower right, black frame. Image: 10" H x 16.5" W; frame: 16" H x 20" W. Provenance: Property from an estate...

Sarai Sherman (American, 1922-2013), Mother and Child, Ink and Ink Wash on Paper, signed lower right, giltwood frame. Image: 34.75" H x 22.75" W; frame: 38.75" H x 26.5" W x 1.5" D. ...

Nahum Tschacbasov (Russian/American, 1899-1984), Clown, Pastel on Paper, 1950, signed and dated lower left, painted wood frame. Image: 11.5" H x 7.5" W; frame: 18" H x 14" W. Provena...

Roger Hilton (British, 1911-1975), Seated Female Nude, Charcoal on Paper, apparently unsigned, cerused wood frame. Image: 10" H x 8" W; frame: 16.5" H x 14" W. Provenance: Jonathan C...

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

French Romantic school, 19th century View of a citadel Pen and ink, watercolor and heightenings of white gouache on brown paper 18 x 29.5 cm In good condition, some stains and traces...

Playboy School, 20th Century Artists and their muses: Titian and Violante; Sir Peter Lely and Nell Gwyn; Francois Boucher and Louise O’Murphy; Hogarth, Nell...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...