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The Tiger - Drawing in Charcoal - Mid-20th Century

Mid-20th Century

Tiger is a beautiful original drawing in pencil on ivory-colored paper realized in 1950 ca. by the German artist Wilhelm Lorenz, also known as Willi Lorenz. Hand-signed in pencil o...

Study of tiger is a beautiful original drawing on ivory-colored paper realized in the Mid-20th Century by the German artist Wilhelm Lorenz, also known as Willi Lorenz. This is a pr...

Study of Tigers is a beautiful pencil original drawing on ivory-colored paper, realized in XX century by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil...

Tiger is a beautiful pencil original drawing on ivory-colored, wire rod and watermarked "Rives Canson" paper, realized in XX century by the German artist Wilhelm Lorenz, best know as...

Eric Wansart (Ukkel, 1899 - Elsene, 1976), Drawing of a Panther, Charcoal, Signed and Dated.

P. E. Millet (France, early 20th century) TIGER Executed 1937 Charcoal and gouache on paper, 64 x 93 cm Signed and dated lower left: P. E. MILLET 37 Athletically well-trained, mus...

Of a fabulous size, dated and signed charcoal on paper depiction of a Bengal Tiger. Dated 1831, housed in a simple period ebonised and gilt slip frame. The signature I cant deciphe...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...