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UnknownTwo Miniatures and text from the "Legend of Phra Malai"
About the Item
Unknown Artist, Thailand, 19th century
Two Miniatures and text from the "Legend of Phra Malai"
Ink and color on paper, c, 1900
Unsigned as usual
Script: Aksar Chrieng or Khmer These texts are written in Khom script, a variant of Khmer script often used in Central Thai religious manuscripts.
Phra Malai was a Budhist monk whose meditations permitted him to travel to heaven and hell.
Condition: Good, with minor staining to text
Sight (window) size: 11-1/8 x 27 inches
Frame size: 19-3/4 x 35 x 3/4 inches
Framed in solid cherry wood with archival, acid free materials
The legend of Phra Malai, a Buddhist monk of the Theravada tradition said to have attained supernatural powers through his accumulated merit and meditation, is the main text in this 19th-century Thai samut khoi (folding book) held in the Thai, Lao, and Cambodian Collections of the British Library. Phra Malai figures prominently in Thai art, religious treatises, and rituals associated with the afterlife, and the story is one of the most popular subjects of 19th-century illustrated Thai manuscripts. The earliest surviving examples of Phra Malai manuscripts date back to the late 18th century, although it is assumed that the story is much older, being based on a Pali text. The legend also has some parallels with the Ksitigarbha Sutra. The Thai text in this manuscript is combined with extracts in Pali from the Abhidhammapitaka, Vinayapitaka, Suttantapitaka, Sahassanaya, and illustrations from the Thotsachat (Last ten birth tales of the Buddha). Altogether, the manuscript has 95 folios with illustrations on 17 folios.
- Dimensions:Height: 11.13 in (28.28 cm)Width: 27 in (68.58 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA17331stDibs: LU14012308112
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Unknown Artist, Thailand, 19th century
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Unsigned
Script: Khmer (Cambodian) These texts are written in Khom script, a variant of Khmer script often used in Central Thai religious manuscripts.
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