Carbon Pencil Interior Drawings and Watercolors

"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...

"Masquerade" 2024, 48" H x 60" W. Large-scale, multi-colored abstract painting consisting of acrylic, house paint, pencils, and oil pastels on canvas by Argentine-born artist Karina ...

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

Art Nouveau coloured drawing of a young lady beauty before a mirror by Edmon Aman-Jean. The work is signed in pencil bottom left and presented in a plain wood frame with mount, under...

"People, the human figure, fascinate me. Regardless of age or social status, I take particular interest in grasping the one moment that belongs solely to an individual." - Rosemary Mahoney...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

"On Distant Docks", 2023, 48" x 72" acrylics, pencils, and oil pastels on canvas by Argentine born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional H...

Black and white portrait of a woman done in a style that combines abstraction and cubism, much like the work of Fernand Leger. Signed and dated in lower left corner. Artist Biography: Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. After 3 weeks hiding in the woods, he eventually made his way to Leningrad, dropped his first name and the “ov” from the end of his name and began his life as the underground artist known as “KLEVER”. He fell in with a close-knit group of young anti-authoritarian rebels who eventually became known to the world as the “Non-Conformists”, a small gang of free thinkers mainly from Leningrad and Moscow who rebelled against State control of artistic expression and of free thought. In the Soviet Union, not only religion was outlawed - art, literature, music and dance were all subject to heavy censorship and state oversight. Among paintings historical, religious, abstract, anti-Soviet and erotic subjects were all against the law. From 1966 to 1977 Klever made a reputation for himself as one of the non-conformists most overtly critical of the Soviet state. Many of his paintings from this period can be described as nothing less than heroic- they are truly remarkable visual essays on the evils of the national security/surveillance state, propaganda and manipulation of cultural symbols, suppression of artistic and religious freedom, revisionist history, and unfilled promises for the future. All of them were painted stored and exhibited not only at great risk to the artist and his associates, but also to anybody who sought to view them. In spite of the secrecy, the KGB discovered the existence of these pieces and began to follow Klever’s every move. There were surprise visits to his studio, harassment wherever he went, friends and family being questioned all a direct result of his determination to express himself artistically against Soviet control. From this time forward Klever had an exhibit which was open for viewing at all times inside the apartment of Bob Kashilohov as part of a network which paralleled the Samizdat network for sharing of forbidden literature. Klever was arrested for his participation in the most important non- conformist exhibitions which took place during his time there. These were the Bulldozer Exhibition in Moscow, 1974, (so named because the KGB bulldozed the exhibition and destroyed much of the work) and the Nevski Dom exhibition in Leningrad, 1975. These exhibitions represented some of the early cracks in the foundations of the Soviet state’s control over the population’s basic aspirations for economic, personal and creative freedom that ended with collapse in 1991. Repercussions of the Bulldozer exhibition were that some of the painters were arrested or even killed. Approximately 70 artists were arrested, including Klever. Media outcry in the west allowed most of the artists to be released within a week. Two weeks later another exhibition was allowed to proceed and became known as “Half Day of Freedom” in the Soviet Union. The Nevsky exhibition caused a huge sensation and was a watershed moment in the cultural history of the Soviet Union. People lined up for 30 blocks long over the course of the two week exhibition to see the forbidden works. Klever showed a large collection of explicit anti-Soviet paintings...

"Gioia" ("Joy" in Italian) 2023, 72" x 108" large scale acrylics, house paint, oil pastels, wax crayons, and pencils abstract work on canvas by Argentine born artist Karina Gentinett...

Pastel on toned paper Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...