Attrib. David Hall McKewan

Attrib. David Hall McKewan (1782-1842) - Watercolour, River Scene

Unknown

A charming landscape scene depicting two figures sat by a river looking out over rolling hills and grazing cattle. A stone cottage stands in the foreground painted in fine watercolou...

A charming watercolour scene attributed to19th century artist James Duffield Harding (1798-1863). In the foreground a mature tree is growing from rocks to the side of a majestic moun...

A charming watercolour scene depicting a mountain lake with cattle in the shallow water. the artist captures the landscape in fine detail from the foreground foliage to the distant m...

A fine and delicate watercolour painting with sgraffito details, depicting a river scene with mountains in the distance. Unsigned. Well-presented in a grey card mount and in a simple...

"Enjoying Calm Waters" is a captivating 19th-century American School watercolor landscape that epitomizes the beauty of a northern American scene. This exquisite piece showcases the ...

British School 19th Century View across a lake Watercolour, monogrammed & dated ’02’ lower right Image size: 11 3⁄4 x 17 3⁄4 inches Framed This ethereal landscape certainly draws upon the nineteenth century European Romantic tradition. The cool palette of blues, silvers and whites creates a sense of wonderment, together with an atmosphere of solitude and journey’s end. At first glance the scene is rather surreal, but the presence of a dry-stone wall and iron railings in the foreground familiarises the landscape. THIS WORK IS PART OF OUR CURRENT EXHIBITION 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' CURRENTLY SHOWING AT DARNLEY FINE ART...

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...