Eve Nethercott

Bronx Park, Impressionist Watercolor by Eve Nethercott

circa 1950

Eve Nethercott, American (1925 - 2015) - Central Park and Ballerina (71), Year: 1958, Medium: Two Side Watercolor on Paper, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Descripti...

Eve Nethercott, American (1925 - 2015) - Allen Pond Park (P6.12), Year: 1953, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Eve Nethercott's...

Eve Nethercott, American (1925 - 2015) - Bronx (P5.32), Year: 1959, Medium: Watercolor on Paper, Size: 11 x 22 in. (27.94 x 55.88 cm), Description: Looking out over the park,...

Eve Nethercott, American (1925 - 2015) - Alley Pond park (P6.9), Year: 1952, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Reflecting onto t...

This original 1924 oil painting by acclaimed Colorado modernist John E. Thompson captures the architectural grandeur of High Bridge, New York City’s oldest standing bridge, as it spans the Harlem River. A powerful blend of realism and early modernist style, the composition highlights the bridge’s elegant arches and structural detail, all rendered in richly textured oil on canvas. Thompson’s masterful brushwork and use of color breathe life into the urban landscape, creating a dynamic visual tribute to one of NYC’s most iconic 19th-century engineering feats. The painting is signed and dated in the lower right corner, adding historical authenticity and collector appeal. It is housed in a custom vintage frame, complementing the period and enhancing its timeless aesthetic. This rare depiction of early 20th-century New York City is an important work for collectors of vintage American art, urban landscapes, and historical landmarks. It bridges two artistic worlds—urban realism and the advent of modernism—making it a standout piece in any serious collection. About the Artist: John E. Thompson – Pioneer of Colorado Modernism John Edward Thompson (1876–1945) is widely regarded as the "Dean of Colorado Artists", known for his pivotal role in introducing European modernist techniques to the American West. Born in Buffalo, Thompson studied at the Art Students League of Buffalo and later in New York City, before immersing himself in Europe’s avant-garde movements, particularly influenced by Paul Cézanne. In 1914, Thompson settled in Denver, where he would become a transformative force in the local art scene. His teachings and leadership helped lay the foundation for Colorado’s modern art movement, and he later served as a faculty member at both the University of Denver and the Santa Fe Art School, alongside contemporaries like Andrew Dasburg, B.J.O. Nordfeldt, and Walter Ufer. Thompson also mentored key figures such as Józef Bakoś and Walter Mruk, who would go on to co-found Los Cinco Pintores...

Landscape is an original drawing in watercolor on paper realized by an anonymous artist of the early 20th Century. Hand-signed on the lower right, the signature is illegible. The ...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...