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Francis Hopkinson Smith
Courtyard at the Inn by Francis Hopkinson Smith (American: 1838-1915)

1905-1910

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Nita
By James Carroll Beckwith
Located in New York, NY
JAMES CARROLL BECKWITH (1852-1917) Nita Oil on panel 10 1/16 x 7 5/8 inches Signed lower right Inscribed, “Background of/Nita Sewell/1897,” verso James Carroll Beckwith enjoyed enor...
Category

Late 19th Century American Impressionist Portrait Paintings

Materials

Oil, Panel

Cattle by the Sea, c. 1867 by Ann Sophia Towne Darrah (American, 1819-1881)
Located in New York, NY
"Cattle by the Sea," c. 1867 by historic woman artist Ann Sophia Towne Darrah (American, 1819-1881) was exhibited at the Pennsylvania Academy of the Fine Arts in 1867. Painted in oil...
Category

19th Century Hudson River School Landscape Paintings

Materials

Oil, Canvas

Hudson River Landscape by American Artist Johann Hermann Carmiencke (1810-1867)
By Johann Hermann Carmiencke
Located in New York, NY
Painted by Hudson River School artist Johann Hermann Carmiencke, "Hudson River Landscape" is oil on canvas and measures 12 x 18 inches. The painting is signed and dated 1865 at the l...
Category

19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

Autumn on the Hudson River by Arthur Parton (American, 1842-1914)
By Arthur Parton
Located in New York, NY
"Autumn on the Hudson River" by Hudson River School painter Arthur Parton (American, 1842-1914) is oil on canvas mounted to board. The painting measures 18 1/8 x 34 1/16 inches, and ...
Category

19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil, Board

New England Sunrise, 1910 by Lockwood DeForest (American, 1850-1932)
Located in New York, NY
"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Category

Early 20th Century Hudson River School Landscape Paintings

Materials

Oil, Board

Mink Hollow Brook by Hudson River Artist Jervis McEntee (American, 1828-1891)
By Jervis McEntee
Located in New York, NY
"Mink Hollow Brook," by Hudson River School artist Jervis McEntee (1828-1891) depicts the lush foliage, and rocky terrain surrounding a Catskill brook. This 19th century oil paintin...
Category

19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

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