Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Henri Joseph Harpignies
Henri Harpignies (1819-1916) A Barrier on the hedge, study, signed drawing

circa 1860

About the Item

Henri Harpignies (1819-1916) A Barrier on the hedge, study Signed lower left, annotation "branches séchées sur la barrière" (dried branches on the fence) on the upper right Charcoal and heightenings of white chalk on grey paper 19,6 x 22.5 cm Framed : 30 x 36.3 cm This drawing is particularly moving and interesting, as it gives us an insight into the artist's work. It is indeed a study, as we can see how Harpignies was interested in this barrier, which must have charmed him, to the point of including the detail of the stone that serves as its counterweight at the top of the sheet. But above all, it's a very accomplished drawing, with those beautiful white highlights that testify to Harpignies' commitment. By developing and nurturing this landscape, he shows how the barrier motif serves as an anchor for the landscape that separates the foreground from the distant, wooded background. He undoubtedly found it during a walk and lingered on this picturesque motif. Here we are at the heart of the art and work of this generation of plein-air painters of the Barbizon school, so attached to the countryside. Henri Joseph Harpignies, born in Valenciennes (Nord) and died in Saint-Privé (Yonne), was a French landscape painter, watercolorist and engraver of the Barbizon School. Henri Joseph Harpignies’ parents intended him for a commercial career, but his determination to become a painter led them to allow him to enter Jean Achard’s studio in Paris in 1846. After two years’ training, he travels to Italy. Back in France in 1850, Henri Harpignies devoted himself to children’s bambochades in landscapes, joining Corot and the Barbizon School, who were to inspire him. A close friend, the two artists made a trip together to Italy in 1860. In 1859, he collaborated on the decoration of the staff room at the Hôpital de la Charité in Paris, partially rebuilt in the Assistance Publique – Hôpitaux de Paris museum. On his return from Italy in 1861, he achieved his first success at the Salon. He then exhibited regularly at the Salon. In 1866, he received his first medal for Le Soir dans la campagne de Rome, acquired by the State. Over the course of his very long career, Henri Harpignies painted a large number of works in the center of France. He produced decorative works for the Paris Opera, including the Val d’Égrie panel, which he exhibited at the Salon in 1870. He was a friend of Léon Bonnat, who painted his portrait twice in 1889 (Musée des Beaux-Arts de Valenciennes and Petit Palais in Paris) He painted the stained-glass windows of the Château de Trousse-Barrière in Briare in 1895. In 1898, he was named Honorary Rosati. He won numerous awards. Medals at the Paris Salon in 1866, 1868 and 1869. Second-class (silver) medal at the 1878 Universal Exhibition. Medal of honor in 1897 for Solitude et Bords du Rhône. In 1875, he was named chevalier, then promoted to officer (1883), commander (1901) and grand officer (1911) of the national order of the Legion of Honor. He was buried in the Saint-Privé (Yonne) cemetery. Anatole France described him as "The Michelangelo of trees and peaceful countryside." Works by Harpignies are held in numerous museums : • Paris, Le Louvre ; Musée du Petit Palais ; Musée d'Orsay • Lille, palais des Beaux-Arts : Vue prise à Moncel-sur-Seille (Meurthe-et-Moselle), vers 1868 USA • New York, Metropolitan Museum of Art: Paysage avec une ville au loin • Tulsa, Philbrook Museum of Art : Pont ferroviaire sur la Briare. • Washington, National Gallery of Art : Paysage en Auvergne. Canada • Montréal, Musée des beaux-arts de Montréal : Clair de lune (1889) • Québec, Musée national des Beaux-Arts du Québec : Paysage Argentina • Buenos Aires, National Museum of Fine Arts
  • Creator:
    Henri Joseph Harpignies (1819-1916, French)
  • Creation Year:
    circa 1860
  • Dimensions:
    Height: 7.49 in (19 cm)Width: 10.63 in (27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    Seller: Inv 7871stDibs: LU1112215677622

More From This Seller

View All
Louis DAVID (1798-1849) Le Moulin La Butte aux Cailles, Paris, signed drawing
Located in Paris, FR
Louis-Alphonse DAVID (1798-1849) Le Moulin de la Butte aux Cailles, Paris, (The Mill at la Butte aux Cailles) signed lower left Pencil and white chalk on paper 22,5 x 36 cm Framed : 40,5 x 55 cm Louis-Alphonse David is known for a relatively small body of work, including portraits and large compositions. In any case, in this work he shows a remarkable mastery of drawing, with particularly suggestive and subtle plays of light and shadow. The Butte aux Cailles, now part of the 13th arrondissement of Paris, was a hill covered in meadows, vineyards and woods, built with several windmills and overlooking the river Bièvre. It was named after Pierre Caille...
Category

1830s Romantic Landscape Drawings and Watercolors

Materials

Pencil, Chalk

France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century, Pastorale (Arcadian Landscape) Black chalk and heightenings of white gouache on blue-grey paper 19 x 31 cm Framed : 34.5 x 46.5 cm The atmosphere and the subje...
Category

1760s Old Masters Landscape Drawings and Watercolors

Materials

Chalk

Paul Emile Lecomte (1877-1950) A landscape by the river, signed watercolor
By Paul Emile Lecomte
Located in Paris, FR
Paul-Emile Lecomte (1877-1950) Landscape by he river Signed lower right watercolor on paper 11.5 x 13.5 cm Framed : 23 x 29 cm Paul Emile Lecomte particularly excelled in small-...
Category

1920s Post-Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

French school of the nineteenth century, LW (?) Harbor scene, drawing signed
Located in Paris, FR
French school of the nineteenth century, LW (?) Harbor scene, animation around a skiff Pencil on paper Signed LW (?) Bottom right 15 x 21 cm Framed : 27 x 34.5 cm This very fine ...
Category

1840s Romantic Landscape Drawings and Watercolors

Materials

Carbon Pencil

Paul Emile Lecomte (1877-1950) La Grille (The Gate), signed watercolor
By Paul Emile Lecomte
Located in Paris, FR
Paul Emile Lecomte (1877-1950) La Grille (The Gate) Signed lower left Watercolor on paper 27 x 37 cm In quite condition: yellowed by time, some stains Framed: 43 x 53 cm Paul Emile ...
Category

1930s Post-Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Auguste Mayer (1805-1890) A seascape with a boat, signed drawing
Located in Paris, FR
Auguste Mayer (1803-1890 A seascape with a boat signed with the initials on the lower left Pencil and heightenings of white gouache on paper 17.5 x 26 cm...
Category

1860s Romantic Landscape Drawings and Watercolors

Materials

Gouache, Carbon Pencil

You May Also Like

Figure by the Sea
By Thomas William Morley
Located in Wiscasset, ME
A listed 19th century British artist and Barbizon School painter, Thomas W. Morley's Figure by the Sea captures the color, technique, softness of form and tonal qualities indicative ...
Category

Late 19th Century Barbizon School Landscape Drawings and Watercolors

Materials

Watercolor

Barns in the Helderberg, New York (rural 1930s American scene with vintage car)
By Martin Lewis
Located in New Orleans, LA
"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Chalk, Charcoal

Opoczno - XXI century, Figurative landscape drawing, Black and white
By Józef Panfil
Located in Warsaw, PL
JÓZEF PANFIL (born in 1958) He graduated from PWSSP in 1984. In 1987 he received a grant from the Department of Culture and Arts. He won several prizes, e...
Category

2010s Other Art Style Figurative Drawings and Watercolors

Materials

Paper, Chalk, Charcoal

Inconscience by Yvon Pissarro - Contemporary work on paper
By Yvon Pissarro
Located in London, GB
Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches) Signed lower left, y. vey Provenance: Studio of the artist, Montpe...
Category

21st Century and Contemporary Figurative Drawings and Watercolors

Materials

Paper, Chalk, Conté, Pastel, Pencil

Evasion by Yvon Pissarro - Contemporary work on paper
By Yvon Pissarro
Located in London, GB
Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches) Signed twice y. vey Provenance: Studio of the artist, Montpellier ...
Category

21st Century and Contemporary Figurative Drawings and Watercolors

Materials

Chalk, Paper, Conté, Crayon, Pastel, Pencil

Plenty - 1930s British Art Deco design for a Mural by Harry Carleton Attwood
Located in London, GB
HARRY CARLETON ATTWOOD (1907-1985) Plenty - Design for Eltham Palace Chalks Framed 20.5 by 12 cm., 8 by 4 ¾ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.) Attwood was born i...
Category

1930s Art Deco Figurative Drawings and Watercolors

Materials

Chalk

Recently Viewed

View All