Clement Moreau

"Bus Stop" Latin Art Social Realism Europe WPA Figurative Transportation Modern

1942

Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern Jo Cain (1904 - 2003) Telephone Pole Worker 38 1/4 x 18 1/2 inches Oil on pap...

Surveyors WPA American Scene Mid 20th Century Modern Social Realism Men Working Jo Cain (1904 - 2003) Surveyors 30 ½ x 40 ¼ inches (sight) Gouache on paper c. 1930s Signed lower rig...

Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA Jo Cain (1904 - 2003) Hammering Nails 39 x 50 ½ inches Gouache on paper c. 19...

"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism Charles Demuth (1883-1935) "Bathers" 10 1/2 x 8 1/4 inches watercolor on paper, c. 1930 Signed lower le...

Signed lower right, 'Frank M. Hamilton' for Frank Moss Hamilton (American, 1930-1999) and painted circa 1965. Titled, verso, 'The Smugglers, Hong Kong' on artist card and inscribed, ...

Signed lower right, 'James March Phillips' (American, 1913-1981) and painted circa 1965. Displayed in an original card mat decorated by the artist. Signed lower right, in pencil, 'J. M. Phillips' and titled, lower left, ''The Thief' - from Francois Villon's Christmas'. Mat dimensions: 16 x 13 inches. Born in California, James March Phillips first studied in San Francisco at the Jean Turner Art Academy and, later, under Alfred Owles...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Signed lower right, 'H. Hammond' for Horace Murray Hammond (British, circa 1879-1966) and dated 1921. A luminously painted, bucolic view of harvest time in England with the lilac of the evening casting a soft light over the contented horses and loaded hay-cart, as the harvesters come to the end of their day's labors. Son of the noted landscape painter, Robert John Hammond, Horace Hammond was born and raised in Warwickshire. In 1927, he moved, first to Worcestershire and then to London. Over the course of a long and successful career, Hammond exhibited widely, including at the Royal Birmingham Society of Artists, the Walker Art Gallery in Liverpool and at London's Royal Academy, among numerous other locations. A well-listed painter...

Early 20th century Italian figurative landscape of a traditional wheat field harvest scene, by S. Frosini (Italian, 20th Century). This figurative landscape in gouache depicts in gre...

Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...