Joseph Webster Golinkin

AMERICA'S CUP - 1967. BEAT TO THE FINISH - INTREPID (USA) VS. DAME PATTIE (AUS)

1967

Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...

The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...

Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...

Print Sz: 26 1/2"H x 19"W Frame Sz: 28 1/8"H x 20 5/8"W in silver gilt wood frame by Haley & Steele Newbury St Boston Classic color (silver gilt framed) print (pencil signed) by John Gable (b.1944-) edition #205/ 950 depicting 'The Seven U.S. 12-Meters' for the America's Cup 1958-1983 Columbia/ Weatherly/ Constellation/ Courageous/ Intrepid/ Freedom/ & Liberty The Newmarket Gallery, Chadds Ford, Pa Born in 1944 in Frankfort, Kentucky and lives in Woolwich, Maine. American Muralist John Gable uses vivid color, light and detail to create a variety of commissioned murals for selected architectural and interior design firms, corporations, museums, restaurants and other high-end commercial or residential structures. Murals include those done for the Automotive Hall of Fame, the Burning Tree Golf Club, the History of Duck Hunting on the Chesapeake, and special projects for Audi and Volkswagen. Gable murals are done primarily in acrylic on canvas but often his work is done in Watercolors, as for his commission for the America’s Cup series, Boston Classical...

"Americas Cup Race" or "America's Cup Defense, c. 1870-75" Antonio Jacobsen is one of the premier American Marine painters of the late 19th Centur...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

Well painted English late 20th-century marine scene of a Yacht racing off The Fast Net Lighthouse which is situated off the coast of Ireland. Ian McLean wa...