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Lyonel FeiningerSailing Ships, Boats, and Figures on the Shore - Sailing Ships Coastline1950
1950
$49,000
£37,216.71
€42,997.59
CA$68,675.27
A$76,860.54
CHF 40,115.30
MX$937,302.43
NOK 513,421.20
SEK 486,018.91
DKK 320,885.34
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About the Item
This work is hand signed in ink by the artist “Feininger” in the lower left margin.
It is also dated in black ink "ii . ix . 50" [2nd September 1950] at the lower right corner.
Provenance: Private New York Collection, Acquired directly from the artist.
The work is accompanied by a photo-certificate from Achim Moeller and is included in the Lyonel Feininger Archives with the number 1864-08-15-23.
Condition: Good condition. The sheet is heavily but evenly toned. Remnants of adhesive tape, verso.
- Creator:Lyonel Feininger (1871-1956, American)
- Creation Year:1950
- Dimensions:Height: 10.67 in (27.1 cm)Width: 12.29 in (31.2 cm)
- More Editions & Sizes:UniquePrice: $49,000
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18015021762
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ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
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