Crayon Landscape Drawings and Watercolors

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Cloudburst pastel on paper 6 x 6inches 12 x 12 inches framed 2023

Henri Charles ANGENIOL (1870 - 1959) View of Lyon from the Fourvière hill Pastel 43.6 x 53.4 cm (47.3 x 57.4 cm with frame) Signed and dated lower right (1938)

A charming winter scene depicting a the idyllic streets of castle combe. A horse and rider hack down the quiet lane under barren January trees. Signed to the lower right. On paper.

A large nautical scene of retired fishing trawlers rusting in a city dockland. Unsigned. Well-presented in a reeded wood frame. On paper.

This fantastic 1920's oil crayon drawing is by Dutch artist Adriaan Lubbers. It shows a birds eye view of New York. The view is of the river and boats towards Manhattan. A really ic...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), ...

Work on paper Brown wooden frame with glass pane 62.6 x 67.7 x 1.5 cm

Sea. Paper, pastel 21x29.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monumen...

Storm Approaching pastel on paper 6 x 6inches 12 x 12 inches matted 2023

Radiance pastel on paper 6 x 6inches 12 x 12 inches 2023

John Piper (1903-1992) Bullslaughter Bay Watercolour, gouache and pastel on paper 27.5 x 35.5cm John Piper CH was an English painter, printmaker, and designer of stained-glass windo...

James Wilson Rayen's 'Untitled Pastel #7' depicts open green fields with a loose, sketch-like quality in this 17 x 16.5 inch pastel on paper. From a series of studies of summer rural...

A charming study of an abandoned mill in a forest setting. Completed in pastel, gouache and charcoal. Titled and dated to the lower right. On paper laid to card .

Bay Light I pastel on paper 6 x 6inches 12 x 12 inches 2023

Statue in the Park by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

A pastel drawing of Bury Church in Sussex, shown from the grounds in springtime. A small path is seen leading through a meadow towards the church. It is well presented in a wash line...

Henry Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henry Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...

By the sea. Paper, pastel 33x27 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a mo...

"Bosque del Apache, NM" is an original pastel drawing on rag paper signed by the artist Peggy Leonard. It depicts an expansive desert landscape underneath a blue sky. 21 1/2" x 29 ...

Signed lower right, 'L. L. Rahm' for Laura Rahm (American, 20th century); accompanied by old exhibition label. Matted dimensions: 14.25 x .25 x 11.75 inches. Laura Rahm has exhibite...

"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky. Art size: 16" x 12" Frame size: 29 1/2" x 25 1/2" Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

"Storm Watch 2" is an original pastel drawing on paper by Victoria Ryan. The artist signed the piece. This piece features an idyllic farm landscape with ro...

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Vintage Mixed Media Cityscape Illustration c.1960s Late Fall or early Winter scene of an urban environment with figures, buildings, barren trees i...

This fine pastel was one of two we acquired together, one signed, this one unsigned, but undoubtedly by New Orleans artist Louis Raynaud, not only obvious from the style but also bec...

Andre Bicat (French, 1909 – 1996) A Post Impressionist landscape Pastel on paper Signed ‘Bicat’ (lower left) 15.3/8 x 24 in. (39 x 61cm.)

Peaceful French sketch of running water in creek in pencil and oil pastel, circa 1930. Original artwork on paper displayed on a white mat with a gold ...

Aleksandra Belcova (1892-1981) Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919). Together with her husband Romans Su...

In this drawing, Sylvia Spicuzza takes influence from the Fauvist works of Henri Matisse, especially his famous 1904 composition "Luxe, calme et volupté." This influence is more pron...

Blue sky over the loch by Natalie Bird [2022] original Pastel Image size: H:36 cm x W:28 cm Complete Size of Unframed Work: H:25 cm x W:20 cm x D:0.5cm Sold Unframed Please note tha...

Autumn road. Paper, pastel, 25x33 cm "Autumn Road" is a pastel drawing that portrays the beauty of an autumn landscape. Through the use of pastels, the artist captures the vibrancy ...

"Crossroads A-38" by Jan Richardson-Baughman is a pastel drawing on paper. The work is framed and matted with an off-white acid-free mat board. It is signed in the lower right corner and titled in the lower left, both in pencil. The landscape drawing shows a country road starting in the lower left and heading off into a grove of trees in the center. Vivid green grass frames the lower right, offsetting the dark green and red of the trees, while the expansive blue sky takes up the top third of the image. Art size: 16" x 20" Frame size: 30" x 26" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

"The Harbour - Honfleur" by Camille Meriot (French 1887-1975) signed and dated 64' crayon drawing on paper paper : 9 x 6.25 inches Fine original French Impressionist painting by t...

Wolf Kahn was commissioned by the Smithsonian to design a postcard for them. He made four designs and they selected a singular one. This drawing here is one of the few rejected designs. This piece was given to the founder, David Barnett, of the David Barnett Gallery...

Camille ROQUEPLAN Mallemort 1803 - 1855 Paris Romantic landscape, View of an imaginary palace on the banks of a river Pastel on strong paper Signed lower left 26.5 x 38 cm 38 x...

Work on paper

Dennington towards pypes barn by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:30 cm Comp...

Work on canton paper

"Light House Eagle Bluff Peninsula State Park" is an original pastel drawing by Michael DeFrancesco. The artist signed and dated the piece in the lower right. This drawing depicts a red-roofed house next to a light house in an expansive green field. 22" x 30" art 29 1/2" x 37 1/2" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

Sublime landscape of mountains and a river dominated by dramatic clouds. Signed, titled, and dated along bottom edge of the work. Hung in a dark wood frame with a white matte. Dimensions Without Frame:H 32 in x W 32 in. Artist Biography: A seventh generation West Virginian, McWhorter went to California in 1968. Upon returning from service in Vietnam, he enrolled in California State University. Here he began his quest to create the illusion of light on canvas by studying the works of the impressionists and hiking the Sierra Nevada region where the dazzling light plays on the atmosphere and the mountains. “I was clearly moved by the dynamic landscape of the Western States and became fascinated by the Hudson River artists...

This piece is framed measuring 46 by 34 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

Provenance The artist; Estate of the artist, until 2018 Exhibitions Woodmere Art Museum, Philadelphia, The Art of John Pierce Barnes (1893–1954), June 28–August 30, 2009. A native ...

If you compare Hans Franta’s earliest works – from around 1911 to 1920 – with his later work from the years after the Second World War, the fact becomes obvious that you are dealing ...

Dark tonal Italian landscape with hits of yellow greens and reds. The pastel image is framed in a natural wooden frame with a white matte. Artist signed the work in the bottom right ...

"Nourishment, Shelter, Clothing, Art" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece features an abst...

Signed lower left: 'W.P. Burpee'. From the estate of the artist. Estate stamp verso. Back bears pastel board preparer's stamp of 'W. Devoe Co. / New York'. In fine condition. This piece might have been shown February 28 -- March 12, 1910, at the Boston Society of Watercolor Painters 21st annual exhibition in the gallery of Charles Cobb, as #10 'Gold and Rose on Mt.Blanc' See: 'William Partridge Burpee, American Marine Impressionist' by D.Roger Howlett,1991, Copley Square...

In the yard. 1950. Pastel on paper, 65x49,5 cm

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Based in the Bay Area following studies at Stanford University, Pinkusevich works as a painter and multidisciplinary artist. Born and raised in the USSR, her understanding of rules, ...

"Red Oak Albuquerque, NM" is an original pastel drawing signed by the artist Peggy Leonard. It depicts a red oak tree among smaller green trees in a landscape. 9 1/2" x 12 1/4" art 19 3/4" x 22 1/4" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Armand Nakache was the foremost champion of Expressionism in France, an area unfairly shunned by a society more attracted to the charms of classical painting, Impressionism, Post-Imp...

Soft pastel on Grey toned archival paper signed and dated. This is a large pastel painting suitable for framing under glass. The artist is reminded of the great Italian painter after...

Clouds over horizon

BERNARD SLEIGH (1872-1954) Moored Boats Pastel Framed 24 by 22 cm., 9 ½ by 8 ½ in. (frame size ) At the age of 14 Sleigh was apprenticed to a wood e...

From the train to the Himalayas 1963., p/crayons, pencil, 20x27 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latv...

"Garden of ZM 16" is an original pastel drawing on paper by Victoria Ryan. It depicts a balcony garden with marble columns and a variety of flowers overlooking an idyllic landscape. ...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), she gained her fine arts degree at the University of Michigan. Ms. Seltzer has also attended the New School for Social Research, the Pratt Institute and New York University, at Which she gained invaluable experience in photography, silkscreen and design. In Addition, Ms. Seltzer has lectured at several institutions, including the school of Visual Arts in New York, the University of Virginia and the University of Iowa. she is in the collection of the Brooklyn Museum and the Indianapolis Museum of Art and has showed at Un jardin secret - Collection Monique Dorsel et Emile Lanc - Centre de la Gravure et de l'Image imprimée, La Louvière along with Jean Tinguely, Francois Morellet, Georg Baselitz, Berto Lardera...

This piece is framed measuring 17 by 14 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

"Garden by the Sea 1" is an original pastel drawing on paper by Victoria Ryan. It depicts a garden of lush flowers and bushes in front of a columned fence and bright blue sky. The ar...