Paper Landscape Drawings and Watercolors

San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...

Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote Lovely late 1930's Impressionist watercolor of a Bay Area island b...

Beautiful watercolor landscape of a detailed bridge surrounded by vibrant green trees and soft reflections by H. Kendall (American, 20th Century). Signed "H. Kendall" lower left. Pre...

"Homage to Xiao Ming #1" is an original watercolor painting on Chinese rice paper by David Barnett. The artist signed and dated the piece lower right. This piece depicts a multitude ...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

A substantial, mid-century Impressionist-style watercolor on Arches paper showing a misty view of turquoise waves rolling into a secluded rocky cove in Big Sur, California Signed lower right 'Nat Levy' (American, 1896-1984), titled 'Little River' and painted circa 1955. A notable California watercolorist...

Signed lower left, 'Karl Yens' (American, 1868-1945) and painted circa 1920. A fine, early 20th century watercolor landscape showing the the luminous sunset serenely reflected in a still lake with elegant, calligraphic grasses. Painter, illustrator, etcher and muralist, Karl Yens was born in Germany and first studied with Max Koch in Berlin and, subsequently, with Benjamin-Constant and Jean-Paul Laurens in Paris. He was a successful active muralist in both Germany and Scotland before immigrating to the United States in 1901. After arriving in America, Yens continued to paint murals in New York City and Washington, D.C. before settling in Southern California where he lived and painted until his death in 1945. Karl Yens exhibited widely and with success, including at the 1915 Panama-California International Exposition in San Diego, Los Angeles County Museum of Art, Philadelphia Academy of Fine Arts, the Duquesne Club of Pittsburgh, San Diego Museum, the Orange County, California Museum, Astor Theatre in NYC and the Society of California Pioneers. He was the recipient of numerous medals and prizes and juried awards, including at the 1919 California Art Club, Laguna Beach Art...

Impressionistic style watercolor of a cascading waterfall framed by tree branches heavy with greenery by artist Karl Teodor, 1943. Unsigned. Original...

Watercolor of the cloister at Salisbury Cathedral, England, by Barbara Gibson (20th Century). Painting is signed and dated by the artist "Barbara G...

Expressive watercolor figurative of fisherman pulling in the nets by Walter P. Taylor (American, 20th Century). Signed "W.P. Taylor U.S.N.R.'45 (for United States Naval Reserve)" low...

Jim’s of Lambertville is proud to offer this artwork. Signed. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address. In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today. In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

A lush, historic watercolor figurative landscape by C. Harry Allis (American, 1870-1938). Signed and dated "C. Harry Allis 1919" lower right. Displ...

A lyrically painted, mid-century watercolor showing a seagull hovering suspended above a turbulent ocean with dramatic and play of light between clouds and mist and with a view towar...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Pencil drawing. Complemented by a hand carved and gilt frame. Daniel Garber (1880-1958) ...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Daisy Craddock (b.1949, Memphis,TN) received a BA in Fine Arts from Rhodes College and an MFA in Painting from the University of Georgia. Her work has been exhibited widely throughout the United States. Recent one person shows include the Fischbach Gallery in New York City, November, 2009, and David Lusk...

Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...

An elegant winter landscape watercolor showing a view of an old wooden barn and outbuildings beside a frozen pond. Signed lower right 'Fies S.W.A.' for Gladys Louise Bowman Fies (American, 1909-2005) and painted circa 1965. This notable California painter was born in Texas and studied with Millard Sheets, Rex Brandt, and George Post...

Stunning late 19th century landscape watercolor painting of a farm scene by an unknown artist. Presented in a giltwood frame. Image size, 16"H x 20"L.

Untitled (Cabin and Mountainscape), 19th Century Watercolor on paper 6 1/8 x 9 in. Mat: 10 1/4 x 8 1/8 in.

French mid century watercolour on paper view of the river Seine in Paris. A very charming watercolour of life on the river Seine. The barges or 'peniches' waiting to be loaded along...

Beautiful mid-century pastel landscape of small fishing boats along the shore, next to a long curved pier of Aquatic Park Pier San Francisco by an Russian...

Signed lower left, 'R.R. Dvorak' for Robert Regis Dvorak (American, 20th century) and painted circa 1995. A panoramic coastal landscape showing a serene expanse of Rosarito beach in Mexico's Baja California by this much-exhibited and well-listed California artist whose work is held in the permanent collections of national institutions including the Metropolitan Museum of Art and New York's Museum of Modern Art. Robert Dvorak received his Bachelor of Architecture degree from the University of Illinois, his Master of Architecture degree from the University of California, Berkeley and was then awarded a two year Fellowship at the American Academy in Rome. He served as professor of architecture for seven years at the University of Oregon and for a further two years at the University of California, Berkeley. At UCB, he taught design and communication skills including drawing, film-making, watercolor painting and other graphic media. Dvorak was subsequently awarded a grant from the California Arts Council to promote art and creativity for elementary school teachers and children. Dvorak draws on a rich background of unusual experience having been a member of the moon shot...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Very well executed and in very fine condition watercolor and gouache painting of a bucolic Pennsylvania farm in springtime. Signed Carl Weber, the well known Pennsylvania artist lower right. Circa 1895. No condition issues. The artwork is framed In it’s original gold leaf frame. Overall measurements 30 by 38 inches. Carl Philipp Weber...

Louis Ritman (1889-1963) "Rolling Country" c. 1945 Original Watercolor on Paper Signed Lower Left Provenance: Milch Galleries, NY (original label verso) ...

Hughes Claude Pissarro "Katia en Rose, au Jardin de Marras" 1989 Pastel on Paper approx 14 x 18.5 inches approx. 23 x 26.75 inches framed Signed Lower Left