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Reynolds BealJunction of Woodland and Esopus Creek1919
1919
About the Item
Born in New York City, Reynolds Beal's year of birth is reported as being 1866 as well as 1867. If one follows the most extensively researched source produced in consultation with the Beal family (essay by Ann E. Berman), the year of 1866 is the accurate one.
Beal became a prominent East Coast marine and landscape painter. He had a great interest in yachting and did numerous maritime subjects.
He studied naval architecture at Cornell University and painting at William Merritt Chase's Shinnecock Summer School. His younger brother was Gifford Beal, and supported by family money, Reynolds traveled and painted widely including to Portugal, the Caribbean, and the West Coast.
He used a variety of styles including Impressionism and Tonalism. As he got older, his work became more complex and vibrant with a mosaic of brush strokes. In addition to oils, he was admired as a watercolorist, and he and Gifford made Rockport, Massachusetts their home. His studio overlooked Rockport's Inner Harbor, from where he drew and etched many harbor scenes.
- Creator:Reynolds Beal (1867 - 1951, American)
- Creation Year:1919
- Dimensions:Height: 14.5 in (36.83 cm)Width: 20.5 in (52.07 cm)
- More Editions & Sizes:14.5 x 20.5Price: $4,800
- Medium:
- Movement & Style:
- Period:
- Condition:Housed in a hand carved gold leaf frame.
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU3913766382
Reynolds Beal
Known as one of the early American Impressionists, artist Reynolds Beal was born in 1867 and studied at Cornell from 1885–89 with a focus on naval architecture. His formal art training would come later as he studied under William Merritt Chase at Chase's school in Shinnecock, Long Island, in 1896.
Beal's love of yachting resulted in paintings of maritime scenes from Rockport to the Hudson, as well as the Caribbean, from his own sailing boat that doubled as his studio. His first solo exhibition took place at the Clauson Gallery in New York City in 1905. In 1917 he was a founding member of the Society of Independent Artists. Beal was one of the few Americans chosen to have their work exhibited at the Luxembourg Museum in Paris in 1919.
Beal was a member of the Salmagundi Club, the American Watercolor Society, the Society of American Engravers, the National Arts Club and was elected an associate member of the National Academy of Design. He also founded the New Society of Artists, which consisted of 50 of the most influential painters of that time, among them, Childe Hassam, Maurice Prendergast, George Bellows and William Glackens.
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