Hat Landscape Drawings and Watercolors

Mountain Trail John Wade Hampton, American (1918–1999) Date: 1969 Ink and Watercolor on board, signed lower left Size: 9 x 13.75 in. (22.86 x 34.93 cm)

This watercolour captures the charm of a Parisian street scene in the Parisian district of Montmartre. The artist skillfully renders the narrow, winding street, flanked by traditiona...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

Signed lower left, 'Moesle' for Robert Moesle (American, b. 1932); additionally signed verso, titled 'Waiting Gondolier' and dated March 1998. A substantial and finely detailed wat...

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inches ...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

Signed LL Recognized as one of America’s leading etchers and watercolorists during the early twentieth century, Sears Gallagher depicted a variety of subjects ranging from New England landscapes and European subjects to views of Monhegan Island, Maine. Born in Boston in 1869, Gallagher has impressive family lineage extended back to the Pilgrim fathers and to the first Governor Bradford. He began his art education locally, studying drawing with the Italian artist, Tomasso Juglaris, and watercolor painting with the Samuel P.R. Triscott. He made his first submission to the annual exhibitions at the Boston Art Club in 1887, exhibiting a drawing entitled "Evening News." Gallagher later refined his skills at the Académie Julian in Paris, working under Benjamin Constant and Jean-Paul Laurens during 1895-96. During his three-years abroad (1894-96), he made summer visits to popular artists’ colonies such as Grèz-sur-Loing, where he painted and sketched en plein air. He also spent time in Italy and England. Gallagher began his career in Boston, working as an artist-reporter for a local newspaper and illustrating textbooks for the publishing firm of Ginn and Company. However, by the early 1900s he had established himself as a professional artist specializing in etchings and watercolors. By 1920, he had produced 138 etchings of the historic streets and landmarks of Boston, such as Copley Square, the Old State House, and Trinity Church. He was also fond of marines, producing etchings as well as oil and watercolor views of Monhegan Island, Maine, where he spent his summers, as well as Plymouth and Nantucket on Cape Cod. His work includes landscapes painted during autumn trips to Jackson, New Hampshire, as well as views of New York, Venice and England’s Cornish seacoast. Gallagher exhibited at the major national annuals in United States, and had several solo shows at Doll and Richards Gallery in Boston. His work also appeared at the Paris salons and at the Paris Exposition of 1900. Gallagher’s memberships included the Guild of Boston Artists, the Boston Society of Water Color Painters, the Brooklyn Society of Etchers and the Chicago Society of Etchers. He won several awards and prizes, among them the Logan Prize for etching at the Art Institute of Chicago in 1922 and the City of Boston Tercentenary medal...

The artwork is in simple white wood frames behind glass. At the right site there is a monogram with date. The full signature is on the back of the drawing. Hanna Banaszczyk is a gr...

A delicate watercolor view of the Bridge at Aylesford over the River Medway in the English county of Kent. Signed lower left "Frank Sherwin", (English,...

TITLE by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on board, unframed size: 13.75 x 10 inches condition: very good and ready to be enjoyed...

Vivan Bewick Searchlight Battery Pencil and gouache 22 x 13 cm Signed and dated to lower left. This striking multimedia composition depicts two operators working as part of a se...

verso: signed and dated "H. Tavernier, 1779"

Le Prince Alexandre Bibesco is an Original ink and watercolor drawing realized by an artist of French School of the early 20th century. Good condition on a...

Bryan Conway- original watercolour. Shire horses being reshod by a farrier. Signed to the lower right. Presented in a modern black frame with a fine gilt window and glazing. On water...

Watercolor on paper by the Dutch artist, Anthony Andreas Meijiers. Signed lower right. Condition: Excellent. Unframed. Anthony Andreas de Meijiers or Meyer was a Dutch active in...

A delightful rural scene by the British artist Horace Hammond (1842-1926). Well-presented in an ornate gilt-effect frame with swept rails and internal slip. Inscribed H. Hammond to t...

A charming agricultural scene from the early 20th century, showing a farmer paused for a break in the fields with his two hard working horses. Signed by the artist to the lower right...

Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy. Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell. Background on the Drawing Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive. The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him. Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East. In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people. He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...

Figurative watercolor in mainly green from Mary Robertson whose paintings Wayne Thiebaud calls "Joyous and meditative colorful simulations of contentment and sacred play.” Steepe...

This small drawing (pencil on paper, 23 x 19 cm) made on paper cut out in the shape of a lunette depicts a view from the apsidal part of the Benedictine abbey church "Saint Ouen Rou...

A woman in a pinstriped dress stands in the doorway of a continental building surrounded by tall lavender. The artist masterfully balances the expressive brushstrokes and bold forms ...

"Ploumanac'h II" Landscape Watercolor Painting 8" x 14" inch by Inji Efflatoun stamped & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the ex...

Neutral tone naturalistic city scene by an unknown artist. The work features a central figure on horseback riding down a village backstreet. The "hostal" street sign overhead indicat...

A. Cirnello Piazza Cavour in Milan, with the monument to Camillo Benso Conte di Cavour Dated 1905 Watercolor painting on paper Size: 49x37 cm (69x56 cm including the frame) Signed a...

Édouard Léon Cortès (1882–1969) is celebrated for his exquisite gouache and oil paintings that capture the romantic beauty of Paris during the Belle Époque. His depictions of landmar...