Plant Landscape Drawings and Watercolors

LUDOMIR SŁUPECZAŃSKI (b. 1934, d. 2012) graduated from the Faculty of Architecture after studies accomplished at the atelier of professor Jan Bogusławski in 1959. Since 1955, he has ...

This artwork "Untitled I" 1998 is a graphite drawing on paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower left by the artist. The artwork size is 14 x 17 inches, framed size is 19.35 x 22.35 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...

In Japan they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. My particular favorites are the Tanchos which can be identified by the distinct red spot on their heads. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman dating back the mid 1800's. I then tint the images using watercolor. In each piece I hope to translate a sense of movement to give the viewer a sense of calm one might experience watching the living versions lazily meandering around a serene pond. —Jeff Conroy Several koi swim in a circle while autumn leaves fall on the surface of the water in this Gyo-tako method of painting by artist Jeff Conroy. After inking and taking impressions of the koi, the artist then uses watercolors to enhance their beauty. By using marbled mulberry paper to print on, he has created the illusion of water with the swirls of the mulberry paper. The paper itself has a soft hue and slightly wavy texture adding the overall feel of the artwork. This artwork is unframed. Contact gallery for framing options. Jeff Conroy Autumn Cotillion sumi ink and colored pencil on mulberry paper 25h x 37w in 63.50h x 93.98w cm JEC103 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

A watercolor painting with sunset is a watercolor painting with a beautiful, romantic autumn landscape. This autumn landscape is painted in watercolor based on the memories of a won...

Staking a Tent, Modernist Landscape in Watercolor on Paper A vibrant watercolor landscape with a person staking a tent amongst low coniferous trees with distant snow-capped mountains in the background, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "L. Johnston" at the bottom right and "Lucile Johnston" on the back. Presented in a new soft grey mat with foam core backing. Mat size: 20"H x 24"W Paper size: 15.5"H x 22.75"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

This artwork "Untitled III" 2001 is a graphite drawing on paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower left by the artist. The artwork size is 13.5 x 16.5 inches, framed size is 19.35 x 22.35 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...

This artwork "A Summer Day, Stanford" 2003 Is a watercolor on paper by Filipino artist Ephraim Samson, b.1947. It is signed and dated at the lower right...

Landscape is an original drawing artwork in mixed media on cardboard, realized by Sun Jingyuan in 1970s. The state of preservation is very good. Sheet dimension: 54.5 x 39.5 cm. Th...

Titled "The cold wind in the pine trees", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white pa...

Forest is an original drawing in mixed media on paper realized by Simon Goldberg (1913-1985). Hand-signed on the lower left. The state of preservation is very good. Sheet dimension...

WŁODZIMIERZ KARCZMARZYK (born in 1930) Painter and an architect. He studied at KUL in Lublin, Academy of Fine Arts and University of Technology in Warsaw. Long-term professor of draw...

Trees of Forest is an original painting in watercolor by an anonymous French Master of the XX century. The state of preservation is good and aged with si...

The Tree is an original drawing in pencil, realized by an anonymous artist of the XX century. Image Dimension: 21 x 30 cm Included a Passepartout. In good conditions. Here the a...

Title: "Mid Century French Original Pastel Painting of a Hillside Cityscape with Lush Vegetation" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size:...

Hommage à Colette is a beatiful contemporary artwork realized by Annette Landry in 1955. Ink and watercolor drawing on Canson paper, a type of paper used, among others, by masters s...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

"Allow" by Sarah Alexander is a 24 x 36 x 1.5 inch landscape painting in watercolor on panel in rich, warm jewel tones contrasting with a warm blue background. The artist conveys movement, mood, and the subconscious with her sinuous marsh grasses...

Serene mountain landscape of Mount St. Helens, Oregon, featuring autumn trees in a meadow and distant epic mountain range by Richard "Dick" Turnland (American, 1933-2015). Signed "R. Turnland" lower right. Image size: 16" H X 21.5 " L. Born in Minneapolis, Minnesota, “Dick” Turnland lived in Ocean Beach San Francisco...

Maka Cielecka Graduated from the Warsaw Academy of Fine Arts. Worked in Canada and in the Netherlands as a graphic artist. In the mid-90s she began her extensive travels, including t...

Wonderful mid-1970's landscape watercolor of a stately stone barn on a hilltop surrounded by trees by Gretchen Guard (American, 20th Century). The artist uses clean lines and decisive areas of color to render the barn in crisp detail and make it pop from the soft landscape around it. Signed "Gretchen Guard" and dated "76" lower left. Displayed in a new off white mat and rustic wood frame. Image size: 13"H x 18.5"W. *Please note: The signature and date on the lower right are partially obscured by the mat. The last photo shows the full signature and date with the mat removed. Gretchen Guard lives and works in Santa Fe, New Mexico and Cape Cod, Mass. She majored in studio art at Stanford University under Nathan Oliveira, Frank Lobdell and Mat Kahn. And at Santa Fe Art Institute with Wolf Khan...

This artwork titled "Crescent Bridge, California" c.1960 is a watercolor on paper by California artist Joseph Weisman, 1907-1994. It is hand signed at the lower left corner by the artist. The size is 12 x 16 inches. It is in excellent condition. About the artist: Born in Schenectady, NY on Feb. 17, 1907. Weisman settled in Los Angeles in the 1920s. He studied there at Chouinard Art School, Art Center School, and with Murphy, Hinkle, Barse Miller...

Stein am Rhine, 1912 Watercolor on paper 7 x 5 in. Mat: 10 3/4 x 8 3/4 in. Inscribed lower right: Stein a/Rh, Juni 1912 At the point where Lake Constance again becomes the Rhine River, you will find the little town...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

"City Swim, Dusk" is a unique charcoal drawing on paper. Scottish artist Patsy McArthur captures the dynamic movement of the swimmer against an urban backdrop. This monochromatic art...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed. Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pande...

Expressive botanical watercolor of a White Pine tree by Doris Ann Warner (American, 1925-2010). Signed "Warner" lower left. Unframed. Image size: 22"H x 15"W Doris Ann Warner began ...

A fine watercolour study by the British artist Walter Fryer Stocks, depicting the Culham Bridge over the River Thames. Culham Bridge was built of stone between 1416 and 1422 to repla...

This piece is framed in a natural wood frame measuring 30 by 45.5 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridg...

This vibrant watercolor is by noted California artist Arnold Grossman (1923-2016). It is signed and dated at the lower right corner by the artist “Gros...

Work : Original Painting and Drawing - Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish Medium : Oil painting and oil-based coloured pencils on Canson Archival paper 270 Gsm. Artist : Gabriel Riesnert Subject : Jardin imprévu (Title) Signature : The work is signed, titled and dated verso. It will be supplied with a certificate of authenticity from the artist. Size : H29,7 cm x W21 cm. Not Framed (Without frame, image is just to give an example) . Museum matting & backing included, ready to be framed in a standard A4 frame...

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Signed lower left, 'Andy le Poidevin' (British, d. 2019) and dated 2001. A gentle English watercolor showing a view of a woodland scene in the English Cotswolds with distant morning...

Jayashree Chakravarty - Untitled - 27 x 39 inches (unframed size) Mixed Media on Board, 2017 Free shipment in a roll form all over the world. Style : Jayashree’s distinctive art pra...

Watercolor on Archival and Heavy paper - Original Watercolor, Light, Trees, France This is a watercolor inspired by a forest in France, the work is in very good condition and is sig...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life) Untitled Year: circa 1965 Medium: Charcoal on archival paper Size: 11 x 14 inches Condition: Good Provenance: Estate of Ia...

HOPE is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". The artist has written that in the spring of 2020, at the height ...

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

Ranulph Bye (American, 1916-2003) Rocks and Trees (Doylestown, PA), 1958 Watercolor on paper 14 x 21 in. Framed: 23 1/8 x 30 1/4 in. Signed bottom: Ranulph...

Paper paint color pencil ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Unsigned. On watercolour paper.

MAGNOLIAS is a new acrylic painting on panel by Fleur Thesmar. The artwork measures 18x24". The artist has written about an epiphany she had studying tre...

Signed lower right, 'E. Brigeois' for Evelyne Brigeois (French, 1946-2016) and dated 1985; additionally signed, verso, dated and titled, 'Troyes #2'. Born in Troyes, France in 1946, Evelyne Brigeois grew up in the town of Nimes, east of Paris. She subsequently lived and painted in Germany, England and Spain before moving to the United States in her late twenties. Settling in Idaho, she began a forty-year career as a fine artist, exhibiting widely and with success including, regularly, at both Boise's Art in the Park and Art and Roses Festival. Evelyne Brigeois was also the recipient of numerous national and international awards including from the National Watercolor Society, the Detroit Institute of Arts, the Michigan...

This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek at a soft horizon line as we gaze though a patch of wildflowers near ...

Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...

Signed lower right, 'Dorothy Garrett' (English, 1908-2000) and painted circa 1955; additionally inscribed verso, 'Griffith'. Born Dorothy Mabel Ellen Herring, Dorothy Garrett studie...

Charles De Wolf Brownell (American, 1822 - 1909) Watercolor on paper of maple leaves against the sky, Hand dated and inscribed "Papaw - E.H....

An interesting study depicting the roof of a car with industrial buildings beyond. The slightly surreal elements of this composition create a unique and almost otherworldly feel to t...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

IAN HAY (Born 1940) Cars Rusting Signed l.r.: Ian Hay; bears title and dated 1973 on exhibition label on the backboard Watercolour and gouache Framed 44 by 88 cm., 17 ¼ by 34 ¾ in...

Brockenhurst Gardens Ernest Arthur Rowe Watercolour, signed lower left and dated 1900 bottom left Image Size: 12 x 18 3/4 inches (46 x 30.5 cm) Original Victorian frame Provenance Dowdeswell and Dowdeswell The collection of C. Buttersworth Sale, Bonhams, London, 10th June 1998, lot 63 Exhibited Royal Institute of Painters in Watercolour, as 'Relics of the Civil Wars, Compton Wynyates', no.1 This watercolour is one of Rowe's few pictures of Brockenhurst park garden in the New Forest, Hampshire. Here Rowe exemplifies the garden's splendour through his deliberate low positioning within the composition. As well as the scenes mirrored...

Eve Nethercott, American (1925 - 2015) - Woodstock (77), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Eve Nethercott's serene depict...

Eve Nethercott, American (1925 - 2015) - Forest (P2.65), Year: 1958, Medium: Watercolor on Paper, Image Size: 10 x 12 inches, Size: 11 x 13.5 in. (27.94 x 34.29 cm), Descript...

Eve Nethercott, American (1925 - 2015) - Two Trees (P2.38), Year: 1958, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88 cm), Descript...

Eve Nethercott, American (1925 - 2015) - Aimhi Lodge (P5.4), Year: 1951, Medium: Watercolor on Paper, Size: 15.5 x 22 in. (39.37 x 55.88 cm), Description: Peering through the...

Eve Nethercott, American (1925 - 2015) - Allen Pond Park (P6.12), Year: 1953, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Eve Nethercott's...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...