
Poppy Grove, Botanical, Gray and Red on Mylar Paper
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Lisa LightmanPoppy Grove, Botanical, Gray and Red on Mylar Paper2022
2022
About the Item
- Creator:Lisa Lightman (American)
- Creation Year:2022
- Dimensions:Height: 8.5 in (21.59 cm)Width: 11 in (27.94 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Petaluma, CA
- Reference Number:1stDibs: LU1721211224562
I started to make art in my mid-thirties. I took a few adult education classes. One class changed everything. Draw whatever you want, however you want. I leaned toward abstraction. It was liberating to make art that was generated by the myriad of emotions that floated on the surface of my life at that time. How I make art has evolved slowly. The willingness to see colors and shapes in a landscape or on a kitchen counter, or feel a mood or emotion, all rendered through paints, pencils and other materials, are only a few of the infinite filters that land on the surface. I understand that each mark or color choice, or the final painting, is recognized as a moment in time not to be matched by any other moment in time. My primary pull, as an artist, is to leave an emotional mark, an image or shape that is mysterious and curious, brings joy and beauty. I create art that generates, for me, a feeling of wonder and awe, not unlike life itself.
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May 1987, Signed collage, gold leaf, acrylic painting, Framed w/ Castelli label
Located in New York, NY
Robert Petersen
May 1987, 1987
Pure pigment collage, gold leaf, acrylic painting and drawing
Signed, titled and dated on the front. The back of the frame bears the label of Castelli Uptown (4 East 77th Street)
This is a unique work
Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back
This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back.
Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa.
Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980.
In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY.
Measurements:
Framed:
31 inches x 38.25 inches x 1.75 inches
Artwork:
25 inches x 32 inches
More about Robert Petersen:
Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon.
In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman.
Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. During the early 1970's Petersen predominately created monochromatic minimalist work and then began to explore the possibilities presented by his intricate sketch pages. In 1976, Petersen made his first monthly inspired journal drawing from the highlights of his sketchbook where he collected observations of daily surroundings, drawings for future work, musings, postcards, photographs, and ephemera such as calendar clippings and magazine illustrations. This technique continues to serve as the basis for his present work.
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