Marcel Dzama

Untitled (Double-Amputee with Gun)

n.d.

Dzama was born in 1974 in Winnipeg, Canada. Dzama received his BFA in 1997 from the University of Manitoba. He has been represented by David Zwirner since 1998 and has had many solo exhibitions. Dzama has exhibited widely in solo and group presentations throughout the United States and abroad. Marcel Dzama: An End to the End Times was on view through August of 2021 at the Savannah College of Art and Design Museum of Art, Georgia. Also in 2021, the Sara Hildén Art Museum in Tampere, Finland will present a solo exhibition of the artist’s work entitled Marcel Dzama: Tonight We Dance. In 2018, the solo exhibition Ya es hora was presented at Galería Helga de Alvear in Madrid and A Jester’s Dance was shown at University of Michigan Museum of Art in Ann Arbor, Michigan. In 2017, La Casa Encendida in Madrid exhibited Drawing on a Revolution, a solo show of the artist’s work. In 2015, the artist’s film Une danse des bouffons (or A jester’s dance) was presented alongside related two- and three-dimensional work in a solo show at the World Chess Hall of Fame in St. Louis. In 2010, a major survey of the artist's work was held at the Musée d’art contemporain de Montréal in Montreal. In 2016, the artist created the costume and stage design for New York City Ballet’s The Most Incredible Thing, a performance based on Hans Christian Andersen’s fairy tale. Coinciding with the performance, Dzama also created an installation in the Promenade of the David H. Koch Theater as part of the New York City Ballet Art Series, titled The tension around which history is built. Work by the artist is held in museum collections worldwide, including the Dallas Museum of Art; Musée d’art contemporain de Montréal; The Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Tate, London; and the Vancouver Art Gallery. Dzama lives and works in Brooklyn, New York.