Charcoal Drawings and Watercolor Paintings

Charcoal drawing realized by Mino Maccari in 1960s. Hand signed lower right. Very good condition, with another sketch on rear.

Watercolor drawing realized by Mino Maccari in 1960s. Hand signed in pencil in the lower center. Very good condition.

Charcoal and watercolor drawing realized by Mino Maccari in 1960s. Hand signed lower left. Charcoal sketch on rear. Very good condition.

Polyamorous Nude is a charcoal and watercolor Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome...

The House is a modern artwork realized by in the 19 th century Charcoal drawings. Good conditions 

A 1946, charcoal on paper drawing of three nudes by Artist Harold Haydon. Artwork size: 13 3/4" x 9 3/4". Archivally matted to 18" x 14". Provenance: Estate of the artist. Haro...

"The Phone Rings" is an original hand colored drawing on ivory-colorated paper by Mino Maccari (1898-1989). In excellent conditions: As good as new. Sheet...

A mid 20th century modern work on paper of a female nude by Andre Petroff. Signed with monogram bottom right, presented under glass in plain red painted ...

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

Portrait is an Original Charcoal Drawing realized by Edouard Dufeu (1836-1900). Good condition included a blue cardboard Passepartout (22x 16 cm). Hand-signed by the artist on the lower. Edouard Dufeu coming from a family originally from Egypt, Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...

Gaston COPPENS (1909 - 2002) The Awakening, Six Studies of Nude Original charcoal drawing Handsigned on the back of the sheet (see photo) On black paper 65 x 50 cm (c. 25,5 x 19,6 i...

Portraits is an artwork realized by Mino Maccari (1898-1989). Colored portrait on one side, figure of a woman and two heads in black on the other side. Pastel and charcoal on pape...

K.G. Subramanyan - Untitled - 15 x 11 inches (unframed size) Charcoal & Wash on paper (Framed & Delivered) Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures. About the Artist and his work : K.G. Subramanyan (1924-2016) was born in Kerala. Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij. In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London. He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery. Solo Shows : 2014 – The Government Museum & Arts Gallery, Chandigarh. 2014 – Red Earth Gallery, Vadodara. 2018 – Art Musings, Mumbai, KG Subramanyan...

Duce Portrait is a modern artwork realized by the artist Alberto Manetti (known also as Brivido). Pencil and charcoal on paper. Hand signed on the higher right margin. Inscription...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Is it lust? Is it love? A pencil drawing shows a nude man and a nude woman on the same page. Sexual tension and desire are paramount in this composition. Tom Leveritt...

Figures is an artwork realized by Mino Maccari  (1924-1989) in 1945. Watercolor on paper. Signed by the artist, dated "1945". Good conditions. Mino Maccari (Siena, 1924-Rome, Jun...

Erotic Figure is a charcoal Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a white cardboard. Mino Maccari (Siena, 1924-Rome, June 16...

Nude Woman is an original artwork realized by Emile Deschler between the end of the 1940s and the beginning of the 1950s. Pencil and charcoal on paper. Hand-signed by the artist in p...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

A ca. 1954 pastel & charcoal on paper drawing of a Notre Dame football game by artist Francis Chapin. Artwork size: 12" x 19". Archivally matted ...

Gaston COPPENS (1909 - 2002) Pink and Blue Nude Original charcoal drawing Stamp signature of the artist in the bottom left corner Stamp of the artist on the back On wove paper 48 x ...

Trees is an original drawing in pencil and charcoal, realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good and aged with some fold...

Figures is an artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Charcoal and Watercolor on paper. Hand-signed by the artist. Good conditions.

A 1930s charcoal on paper drawing of a woman seated at a lunch counter by artist Francis Chapin. Artwork size: 10 3/4" x 14". Archivally matted to 20" x 16". Provenance: Estate ...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Susan Kiefer Odalisque Charcoal on paper Year: 1989 Size: 25x19in Signed by hand COA provided Ref.: 924802-1665 Framed charcoal drawing of a crouching faceless female figure on Indi...

Landscape is a beautiful drawing realized by the French artist Michel Dumas in the mid-19th century. The state of preservation is very good, except for some light folds on the higher...

Minou-Study of Head Charcoal and pencil on vellum, 1984 Signed and dated in pencil by the artist Minou was Barnet's feline companion throughout many of his most prolific years. It has been said that if you entered Barnet's studio and Minou did not like you Barnet lost interest and dismissed you almost immediately. Provenance: Susan Teller Gallery, prior to 2005 (one of Barnet's friends and dealers) Babcock Galleries, 2005-2008 This drawing is related to a similar composition reproduced in the Richard Boyle catalog for Babcock Galleries. References: Boyle, Will Barnet Drawings, related to works reproduced on pp. 21, 41 (see photo of page 41) Minou is the cat on the back right. Condition: Excellent Stray ink and paint consistent with a working studio drawing Archival framing with DEN Glass (see photo) Image size: 9 x 11 7/8 inches Frame size: 17 x 19 inches Will Barnet Born May 25, 1911, Beverly, Massachusetts, US Died November 13, 2012 (aged 101), New York City, US Will Barnet (May 25, 1911 – November 13, 2012) was an American artist known for his paintings, watercolors, drawings, and prints depicting the human figure and animals, both in casual scenes of daily life and in transcendent dreamlike worlds. Biography Born in 1911 in Beverly, Massachusetts, Barnet knew by the age of ten that he wanted to be an artist. As a student, he studied with Philip Leslie Hale at the School of the Museum of Fine Arts, Boston and viewed first-hand John Singer Sargent at work on the murals of the Boston Public Library. In 1930, Barnet studied at the Art Students League of New York, with Stuart Davis and Charles Locke, beginning his long association with the school. Here he concentrated on painting as well as printmaking, and, in 1936, he became the official printer for the Art Students League. There, he later instructed students in the graphic arts at the school and taught alongside the likes of Yasuo Kuniyoshi, Robert Beverly Hale and Richard Pousette-Dart. Barnet influenced a generation of artists, including James Rosenquist, Knox Martin, Emil Milan, Paul Jenkins, Ethel Fisher and Cy Twombly. Barnet continued his love of teaching with positions at the Cooper Union, at Yale University, and at the Pennsylvania Academy of Fine Arts. He was represented by the Bertha Schaefer Gallery in New York City. Barnet had three sons, Peter, Richard, and Todd Barnet, by his first wife Mary Sinclair. Barnet later married Elena Barnet, with whom he had a daughter, Ona Barnet. Death A longtime resident of the National Arts Club, Barnet died in New York City on November 13, 2012, at the age of 101. Works Barnett's works span the various "movements" of their era, from his early social realist work to his final signature style of clean lines and carefully placed volumes of solid color in a kind of minimalist representational approach. His work is concerned with humanity, yet at his core he always remained a formalist, cerebral in his approach to the elements that make up a good picture. In his interviews he articulated his well thought out principles regarding color use, composition and subject matter, in a professorial manner reflecting the theoretical acumen he brought to his teaching. Like many American painters of his generation he was digesting the evolving trends in Europe and integrating the new visual vocabulary into his American style while remaining universal, referencing his own personal history with images of his wife, his daughter, and their family pets. As James Thomas Flexner wrote, Barnet's work "makes us experience the interplay between the personal and the universal." While remaining representational, the simple elegance of the figures and their flat surfaces reflect his exploration with abstraction. Will's artistic output spans eighty years. Few artists, other than Picasso or Monet, can claim such a long continuous period of inspired art making, nor the logical progression of moving through artistic phases: in the 1930s he was a social realist, in the 1940s a Modernist, in the 1950s an Abstract Expressionist and in the 1960s and onward he settled on a representational minimalism honed from the refinement of his earlier explorations. His early work is decidedly social realist, with sullen portraits done in dark tonalities that suggest both the struggle of the depression era and the hope in the simple love of family life. He moves out of this phase with the improving economy and in the 1940s adds vibrant color and more abstract figures, suggesting a lifting of the depression era malaise. He was a key figure in the 1940s New York movement called Indian Space Painting, artists who based their abstract and semi-abstract work on Native American art; a striking movement which had a handful of practitioners (notably Steve Wheeler...

Clara Deike (American, 1881-1964) Villa Giardino Charcoal on paper Signed and titled verso 17.75 x 12.5 inches A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...

Sunil Das - Early Horses IX - 21 x 34 inches (unframed size) Charcoal on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist...

Gaston COPPENS (1909 - 2002) Nudes Storm Original charcoal drawing Bears the stamped signature of the artist Stamp of the artist studio on t...

This is a wonderful drawing by one of America's most treasured artists, Chaim Gross. Throughout his lifetime Gross has gone through tragedy and a real test of faith however, he has the unique ability to focus and direct his expression to the most joyful and beautiful works of art, such as the present lot. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes. His acrobats, cyclists, and mothers and children convey joyfulness, exuberance, love, and intimacy. This aspect of his work remained consistent with his Hasidic heritage, which teaches that "only in his childlike happiness is man nearest to God." Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyya from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire...

Gaston COPPENS (1909 - 2002) Model Looking at the Sea Original charcoal drawing Stamp signature Stamp of the artist on the back On wove paper 37 x 31 cm (...

Paritosh Sen - Untitled - 30 x 22 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form.The work comes with a certificate signed by the artist himself. An il...

Sickness is an original charcoal drawing realized by Mino Maccari in 1960s. Hand-signed by the artist on the lower right corner, on a yellowed worn paper. Mino Maccari was an Itali...

Old Man is a pencil and charcoal Drawing realized by Ricardo Flores in 1900. Good condition on a cream colored cardboard. Hand-signed by the artist on the lower right corner. Rica...

Sketched portrait is an original drawing on paper, realized around the Seventies by the great Italian artist and journalist, Mino Maccari (Siena, 1898 ...

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, ear...

Perfect for your hockey enthusiast! A 1950s pastel on paper drawing of a hockey game by Francis Chapin. Image size: 9" x 12". Matted size: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Sidney Simon, American (1917 - 1997) - Seated Nude, Year: circa 1960, Medium: Charcoal on Paper, signed lower right, Size: 18.75 x 23.75 in. (47.63 x 60.33 cm)

Landscape is a modern artwork realized by in the 19th Century. Charcoal drawing. Good conditions.

Gaston COPPENS (1909 - 2002) Fauvist Lying Nude Original charcoal drawing Stamp signature Stamp of the artist on the back On wove paper 48 x 36 cm (c 18 x 14 inches) Excellent con...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Female Model (Legs and Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 193...

A Very Finely Drawn, 1930s Modern Figure Study of a Standing Female Nude Model (Back) by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). An early composite charcoal d...

Figures is a watercolor drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Jun...

Jean-Baptiste VALADIE Three shy women, 1970 Original charcoal drawing Handsigned bottom right On vellum 58 x 44 cm (c. 23 x 18 inch) Excellent condition

Landscape is a drawing realized by André Léveillé (1880-1962) in the early 20th Century. Charcoal and watercolor on paper. Good conditions with slight foxing. The artwork is reali...

Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in charcoal. Signed on the lower. Good conditions. Pierre-Georges Jeannio...

Birds is an artwork realized by Mino Maccari  (1924-1989) in mid 20th century. Charcoal and watercolor on paper. Signed by the artist. Good condition. Mino Maccari (Siena, 1924-R...

Figures is a Charcoal Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

Figures is a Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil. Signed on the lower. Good conditions. Pierre-Georges Jeanniot (1848–1934...

Godi Godi is a charcoal drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Jun...

Couple is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original charcoal drawing on Ivory cardboard. Hand-signed in pencil n ...

Gaston COPPENS (1909 - 2002) Natural Beauty, Five Studies of Nude Original charcoal drawing Handsigned on the back of the sheet (see photo) On black paper 65 x 50 cm (c. 25,5 x 19,6 inch) Very good condition, a few small surface defects on the edge Gaston Coppens studied sculpture in the prestigious Ecoule Boulle (Paris). Working in Boulogne Billancourt, just near Paris, his drawings keep the influence of his first formation : modeling volumes, subliming with harmony light and shadow. He was also influenced by the first cubist painters...

Portrait is an original Charcoal Drawing realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino Maccari (189...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Playing is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, June...