Paint Drawings and Watercolor Paintings

A Striking, Early Modern, Figurative Abstract Watercolor by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "Les trios graces" (The Three Graces), the art...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 14.75 x 11 inches condition: excellent provenance: all the paintings we ha...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Kenneth Marcus Hugh (American, 1916-2011) Big Town Watercolor on paper Signed lower left 48 in. h. x 60 in. w., image 48.5 in. h. x 60.5 in. w., fr...

Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking...

series "Non-standard configurations", 42x30 cm, acrylic on paper

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on board unframed: 7.75 x 7.75 inches condition: excellent provenance: all the paintings we have fo...

I like to paint atmospheric watercolors using lots of textures. Painting comes with a white mat. :: Painting :: Abstract :: This piece comes with an official certificate of authentic...

Discover A Small City Park, an original mid-century modern abstract painting by acclaimed Denver artist Edward Marecak (1919–1993). Executed in acrylic and watercolor on paper, this ...

A Striking, Colorful 1940s Mid-Century Modern Surrealist Abstract Watercolor by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). The artwork is watercolor, pastel...

"Tree Bark" is a nature inspired abstract circular 3-D paper work by Bianca Severijns. Severijns paints and hand-tears paper to create her unique and one of a kind works. This work c...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.25 inches condition: very good and impressive provenance: all th...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

Fluid abstract watercolor using metallic and terracotta shades swirled together in free flowing shape by British artist Spe, 2012. Signed in pencil lower right. Original artwork on ...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

My dear art lover, This semi-abstract vibrant expressive artwork celebrates a summer floral period. This floral artwork named "Summer colorful garden" with its bright vivid colors ...

"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

Large Scale Ocean Seascape Abstract Monoprint - Acrylic and Pastel on Paper A dynamic large-scale vintage abstracted seascape Monoprint by Dennis Frings...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

Argentinian Tango, Mixed Media Abstract Expressionist An abstract portrait in cool pastels accented in vibrant yellow and pink and lined in ink, by California-based artist, Ricardo de Silva (American). Paper size: 17.75"H x 12"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

This artwork "Untitled #1" is a watercolor on paper by California abstract expressionist artist R. Anthony (Tony) Askew, b.1939. It is signed at the lower right corner by the artist....

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Gestural abstract painting on paper with accents of blue, dark gray, and teal underneath silver and gold metallic powders "Seeing the Past", made in 2022 by Hudson Valley painter, Br...

Lower right "N.Brahma", inscribed verso "Nada Brahma" and titled "Refracted Sunset". A large watercolor seascape showing an abstracted view of jade and cobalt waves beneath a scarle...

Title: Geometric Study in Motion 1960s by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.75 (height) x 19.75 (width) inches Provena...

This acrylic painting makes part of my series dedicated to the scenes of a summer period. I was inspired by my summer vacations spent in the department of Pyrenees-Orientales in the...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Marble Blue Silk Pattern + Year: 2022 + Edition Size: 50 + Medium: Cyanotype on Watercolor Paper + Sta...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

Joanne Freeman Squares and Strokes (Ultra_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem241) My paintings and drawings incorporate elements found in archi...

Judith Brenner Solfrid Dancing 2 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Plea...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.5 inches condition: excellent provenance: all the paintings we h...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Original gouache on paper. Hand signed and dated lower front. Artwork sheet size 22 x 10 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate of aut...

This piece is an abstract botanical work on paper featuring hues of yellow and light green. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 4...

Large strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint in fluent b...

This artwork "My love for Paul Cezanne" , inspired by Paul Cezanne, presents a vibrant and abstract interpretation of a tranquil landscape, characterized by energetic brushstrokes an...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

From his most desirable period, this restrained in color palette Fonseca is for a collector and room where sophistication is key. Long held that his works on heavy paper are the mos...

This piece is an abstract botanical work on paper featuring hues of green. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 60 by 88 inches. ...

Toronto artist Lynne Fernie prefers working in black and white. She enjoys the pure pleasure of drawing, the first art form she began to work in. Drawing 1 & 2, two panels of jet bla...

Abstract Lilac Turquoise Red Pink & Green Canvas Art by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in the ...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: B Year: 1984 Medium: Tempera on Paper, sig...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19 x 15.5 inches condition: excellent provenance: all the paintings we hav...

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 9.75 inches condition: excellent provenance: all the paintings we ...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

Genre: Expressionist Subject: Landscape Medium: Watercolor Surface: Paper Country: United States Dimensions w/Frame: 16" x 28" Murray Hantman (1904–1999) was a painter, muralist, an...

The idea of Ben Nicholson and his circle was to apply constructivist principles to public and private art. Especially, they were against ornaments and advocated for clean lines. Artworks were created with mathematical precision. “Geometric shapes...

Golden Green 10 (Abstract Painting) Acrylic on Hahnemühle paper - Unframed Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflectiv...