Paper Drawings and Watercolor Paintings

"Santa Maria della Salute II" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of orange and tan. This piece is 16 by 20 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Watercolor, crayon on paper + frame

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

“Venus Restauree”, tempera pencil charcoal on blue paper. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed. Artist Statement "I started...

'Mixed flowers in a green vase' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, ...

This reddish brown pigment drawing has was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. The ordered symmetry of the shape in sienn...

Jewel Heads in Darkness [2021] Original Flowers Gouache, watercolour ink and gesso. Image size: H:53 cm x W:64 cm Paper Size: H:56 cm x W:67.5 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Jewel Heads in Darkness' is an original painting by Jo Haran. "I wanted to try and capture the frailty of anemones nestled in darkness. I used jewel colours....strong pink, yellow, hints of ultramarine and neon green as a contrast to the moody foliage backdrop." 'There are always flowers for those who want to see them" - Henri Matisse. "I have been painting flowers for over 20 years as an artist and as a senior textile designer selling prints to clients internationally including Valentino, Leonard, Paul and Joe and high street brands such as Topshop and Marks and Spencer...

"Bridge" Contemporary African American Urban Landscape 20th Century Alvin Ailey NYC ROMARE BEARDEN (American, 1914-1988) The Bridge, 1982 signed 'Romare Bearden' (upper left); with...

Abstract modern art. Vivid colours. Female Nude Painting Collective exhibitions: 2023 London biennale, Chelsea, Old Town Hall; 2023 YICCA International art contest, Venice, f...

Penny Stars and Clouds (Matisse-like Drawing on Collaged Vintage Book Pages) by Louise Laplante 2024 pastel and collaged vintage Penny Magazines and chalk 23.75 x 24.50 inches unfram...

This geometric drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. The ordered symmetry of the spirograph drawing in reddish brown is...

A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

This art piece features a bouquet of red roses in a bleu vase. This piece belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral th...

Rosanna Gaddoni (Italian artist) Silence 76 x 56 cm ( framed in wood frame with museum glass) Measurement with included frame: 87,5 x 68 cm Charcoal on Paper The Italian artist Rosa...

"My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally important, along w...

Acrylic & watercolour on marouflaged paper with wooden panel

Watercolor drawing on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Very good condition, includes a coeval wooden frame. Sirio Pellegrini, born in Rome on Ma...

Matador 3 is an original Contemporary artwork realized in 1964 by the italianartist Leo Guida (1992 - 2017) Original china ink, tempera and watercolor drawing. Label on the back ...

Landscape BW Charcoal on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 65x50 cm 2024 The drawing is shipped flat inside a cardboard clip, it is possible to buy the dr...

This painting features almond trees which are coming into full flower: big branches of white and light pink almond blossom against a blue sky. In these flowering trees, I wanted to ...

In this contemporary floral cyanotype painting in watercolor, gouache, India ink, and cyanotype on Arches platine paper, meticulously detailed flowers, including magnolia, proteus an...

In this contemporary floral cyanotype painting in watercolor, gouache, India ink, and cyanotype on Hot Press watercolor paper, meticulously detailed flowers, including fritillarias, ...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

LA II (Angel Ortiz) Ink on paper 12 x 18 inches $1,500

A colorful painting by Russian artist, Anatole Krasnyansky. His Contemporary style uses elements from Constructivism as well as Cubism wi...

This wall-hanging artwork titled "AN OLD TREE" is an original artwork by Jim Houser made of collage on panel. This piece measures 4"h x 4"w. Jim Houser was born in 1973 in Philadelp...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Red Landscape mineral oxide on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 50x70 cm 2025 The drawing is shipped flat inside a cardboard clip, it is possible to buy...

The Torrent Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's st...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Acrylic on paper with frame Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involved for more than ...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

In this botanical cyanotype painting in watercolor, gouache, India ink, gold pigments and tea-toned cyanotype on cotton watercolor paper, meticulously detailed flowers, including cor...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Untitled- Penis by Celso Castro-Daza Aquacolor Crayon on archival paper Image size: 48 in. H x 39.5 in. W Sheet size: 59.5 in. H x 44 in. W Unique 1996 Drawing on paper is his bas...

'Orange Tulips' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Inter...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

Subject : Le Phare (Title - FR) Work : New Original Drawing, Handmade artwork and Unique Work. Medium : Oil Pastel and Oil pencils on archival Fine Art paper. The work has been tre...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Stay Golden Pony Boy sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC123 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

This delicate botanical drawing is made with handmade walnut ink on Arches 100% cotton heavyweight paper. The exploration of ephemerality, and the fragility of a wild red clover, its...

Dark blue toned homoerotic figurative watercolor painting by contemporary Houston, Texas artist Steve Louis. The work features two nude men stretched out o...

A man in white sneakers 2022. Paper/pen, 19.4x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscap...

Duchándome, May 28th by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Sheet Size: 19.5 in. H x 27.5 i...

A muted color acrylic and oil pastel of an androgenous subject with Modigliani eyes, Ornette by African American artist Bai is an enigmatic portrait made on 15” x 11” etching paper. ...

This contemporary colorful florla artpiece features a bouquet of blooming vibrant orange hydrangea in a vase. This artwork belongs to my “Floral” series which is full of expressiv...

Frammento Casa di Famiglia Title: Fragment Artist: Marilina Marchica Dimensions: Artwork: 70x110 cm Frame: 80x120 cm Description: This is an original, non-reproducible piece by Mar...

"Tempietto Barbaro" is a watercolor and architectural drawing of the church built to serve the Villa Barbaro and the village of Maser, in the Veneto region of northern Italy, by Andrea Palladio in 1580. This piece is 19.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan...

Oil on paper Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curren...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

This red and white abstract wall-hanging artwork titled "TORRENTS" is an original artwork by Jim Houser made of acrylic on panel. This piece mea...

The Old Man from the last expo, 2016 by Celso Castro-Daza Crayon pencil on archival paper Paper size: 59 H in. x 43 in. W Image size: 54 H in. x 40 in. W On The back of the painti...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Carefully ordered patterns, geometric shapes in indigo, bright blue and dark hunter green and delicate lines in bright prismatic colors complement a teal grayish blue background. Sig...

"Enigma", original ink and pencil on sepia paper. Part of Neo Mythology series. Shipped rolled in a tube.. Free shipping with 1stDibs code for items over $500. Like the immortal myth...

Black felt marker on paper with six bullet holes Signed, titled, and dated, recto This artwork is offered by ClampArt, located in New York City. Willam Seward Burroughs (1914-1997)...

"Liber Mystia XLIII" is an original artwork by Henry Hablak made of gouache, ink, and colored pencil on paper measuring 16.25"h x 12.25"w framed and 14"h x 11"w unframed. Henry Habl...

LA II (Angel Ortiz) Ink on paper 12 x 18 inches $1,500

The Librarian, 2022 collage on paper 61.5 H x 56 W cm Signed on reverse Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands o...

Part of my Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube. Shipping anywhere in the world. Registered airmail. This piece, Modern Eve, is a striking and expressive work that beautifully captures the essence of Matisse’s influence while maintaining its own contemporary voice. The use of ultramarine tempera on paper creates a dynamic interplay between form and negative space, with the vivid blue standing out against the warm, neutral background. The loose, fluid brushstrokes give the figure an organic, almost spontaneous energy, reminiscent of Matisse’s Blue Nudes series. The dripping paint and gestural lines evoke a sense of movement, reinforcing the sensuality of the pose. The arching posture of the figure conveys ecstasy or release, with an elongated, exaggerated form that enhances emotional intensity. The simplification of anatomy aligns with Fauvist principles—prioritizing emotional impact over precise realism. The choice of ultramarine is bold and effective. It has historical significance in art, often associated with spirituality and depth (as seen in Yves Klein’s monochromes), yet here it is used in a raw, expressive manner that makes the figure feel both powerful and ethereal. The use of tempera adds a unique opacity and depth to the strokes. It gives the painting a sense of immediacy, as if the artist captured the moment in a burst of inspiration. The visible brushwork and drips make the process part of the final aesthetic, reinforcing a connection between artist and viewer. The clear homage to Henri Matisse’s Blue Nude series is well-executed but doesn’t feel derivative—it builds upon his legacy while pushing it forward. The sensual yet modern representation of the female body echoes the freedom of early 20th-century modernists but with a contemporary edge. The piece also recalls the expressive, raw energy of Egon Schiele’s linework, albeit with a more fluid and painterly approach. ---------------------------------------------------------------------------------------------------------------------------------------------- Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

Legendary Tony Bennett Original NYC "Chrysler Building" Contemporary Drawing Tony "Benedettto" Bennett (1926-2023) "The Chrysler Building" 12 x 9 inches marker on paper, c 1980 Titled and Signed by Tony Bennett at the upper right with his family name "Benedetto.". Framed: 18 x 15 inches Provenance: Tony Bennett Estate BIO Tony Bennett is known as a vocal musician, but he is also known as Anthony Dominick Benedetto, an American visual artist. Benedetto was born August 3, 1926. He is the son of Italian immigrants from the Astoria section of Queens, New York. At the age of five Anthony was drawing pictures. He attended public schools and The High School of Industrial Arts in Manhattan where he studied art and music. Art was his first passion. In the 19th century artists like Vincent van Gogh searched for an expressive balance in art and music, but Benedetto/Bennett makes an impressive balance in both forms of artistry. The family name Benedetto means, "Blessed one", and Benedetto is how his art is signed. His paintings are impressions of the beauty throughout the world from his many music tours and travels...

Oil pastel on paper realized by Sirio Pellegrini in 1960s. Very good condition. Includes a coeval wooden frame cm. 52x61.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abr...

"Private Moment", 39x27.5in / 100x70cm, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Free shipping for items over $500 with 1stDibs code. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

Drawing based on natural pigments from leaves, flowers and bark and Pastel, Pencil, flower petals, Color and Ink on Paper. In my work there is a cross with the gaze of animals, a rem...

Beautifully executed black and white watercolor and gouache drawing on archival paper of the Spanish colonial town of Taxco, Mexico. Circa 1960. Condition is excellent. Signed low...

"Night Blues" Female Nude, seen from the back, and a second view in the mirror. from another perspective. Part of "Nude in Interior" series, inspired by Matisse. Ultramarine tempera ...

Entanglement XII is a unique oil on paper painting by contemporary artist Joachim van der Vlugt, dimensions are 57 × 42 cm (22.4 × 16.5 in). The artwork is signed, sold unframed and ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

This contemporary, geometric abstract drawing on paper has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Primavera Pop 30 is a mandala shap...

Untitled, 1996 by Celso Castro Pencil on archival paper Image size: 39 H in. x 48 in. W Sheet size: 43 H in. x 59 in. W Unframed ____________ Undefined by medium, Celso Castro’s w...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...

Gouache on a watercolor paper Eter Merkviladze is a Georgian female artist born in 1999 who lives and works in Tbilisi, Georgia. She was graduated from Robert Schuman European Schoo...

This artwork commands attention with its vibrant and dynamic use of color and form, creating a visually striking composition. At the center of the piece, a bold, reddish vase...