Pastel Drawings and Watercolor Paintings

Pastel or Tempera on paper. Judaica Shtetl scene of village. A Jew with Talith and Tefillin in front of the Synagogue. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and pri...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

This minimalist portrait by H. Tishel distills the human form into a few graceful, assured lines. A female figure is rendered in profile, her stylized silhouette outlined in black ag...

Portrait of a Nude Lady French School, circa 1960's signed chalk and pastel on artists paper, unframed double sided size: 19.5 x 12.5 inches condition: very good and ready to be en...

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

Nude Lady Study French School, circa 1960's chalk and pastel on artists paper, unframed double sided size: 19.5 x 12 inches condition: very good and ready to be enjoyed provenance:...

"Bourrée Fantasque #7", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the New York...

Pastel drawing realized by Robert Santerne (1903-1983). Not signed, with an abstract drawing on rear. Good condition.

West Virginia native Grace Martin Taylor, artist for the brightly colored pastel (TownView), attended the Pennsylvania Academy of Fine Arts and the Art S...

Nude Study French School, circa 1960's chalk and pastel on artists paper, unframed size: 12.5 x 19 inches condition: very good and ready to be enjoyed provenance: private collectio...

A classic Richard Haas (born 1936) New York City view. Signed in pencil lower right. The fact that it is signed within the image, the drawn-upon area, leads me to think the artist wa...

In 1976, Playboy Magazine hired a woman illustrator to artfully depict a young, attractive female masturbating. This could be a first: a major newsstand magazine and a magazine most...

Pencil and pastel drawing realized by Mino Maccari, on recto and verso of the sheet, in 1934 ca. Hand signed. Very good condition.

A ca. 1954 pastel & charcoal on paper drawing of a Notre Dame football game by artist Francis Chapin. Artwork size: 12" x 19". Archivally matted ...

Robert Gilberg (1911-1970) "Pink Cheeks" c.1950s Ink and pastel on paper 12"x13.75" unframed Unsigned Good Condition - Wear consistent with age and history. Deep creases on upper le...

Bernard Myers (British, 1925 – 2007) Study of flowers with oranges and pears pastel on paper Signed ‘B. Myers’ (lower right) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From th...

Pastel drawing realized by Ludovico De Luigi in 1979. Hand signed, dated and titled. Very good condition.

Rod Judkins, British (1956 - ) - Young Man with Slingshot, Year: circa 1990, Medium: Pastel on Paper, signed l.r., Size: 25.5 x 32.5 in. (64.77 x 82.55 cm)

Rod Judkins, British (1956 - ) - Nude Figure Study II, Year: circa 1990, Medium: Pastel on Paper, signed l.r., Size: 27.5 in. x 25 in. (69.85 cm x 63.5 cm)

Portrait is a modern artwork realized in the early 20th Century, and attributed to Maximilien Luce. Pastel and Watercolor. Good conditions.

Oil Pastel on paper realized in 1969. Hand signed and dated in pencil lower right. Hand dedicated, signed and dated (1971) on rear. Includes a wooden frame cm. 43.5x52.  Very goo...

Mid century inspired aerial landscape pastel drawing by contemporary artist R. Michael Wommack. The work features a birds eye view of a planned neighborhood at night with glowing swi...

Nude is an original drawing in sanguine on paper, realized by Jean Delpech (1916-1988) 1940s. The state of preservation of the artwork is good. Passport...

Perfect for your hockey enthusiast! A colorful, dynamic 1950s pastel on paper drawing of a hockey game by famed Chicago Modern artist, Francis Chapin. Image size: 9 x 12 inches. Matted size: 14 x 18. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Perfect for any hockey enthusiast! A dynamic 1950s pastel and charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9 x 12 inches; Matted size: 14 x 18 inches. Estate stamped on reverse. Provenance: Estate of the Artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Rod Judkins, British (1956 - ) - Nude in Running Position I, Year: circa 1990, Medium: Pastel on Paper, signed l.r., Size: 28 in. x 25 in. (71.12 cm x 63.5 cm)

Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...

Edmund D. Kinzinger was born in 1888, in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren...

Untitled (Woman's Head in Profile) Watercolor and pastel on paper laid down on board, 20 x 13 inches (50.8 x 33 cm) Framed dimensions: 27 x 20 inches Signed upper left: Joseph Stella...

Nudes Women is a Pencil and Pastel Drawing realized by Mino Maccari (1924-1989) in 1925 ca. Hand-signed on the lower. Good condition with folding and aged margins. Mino Maccari ...

This pastel painting by Catherine Bres-Rhocanges (1947 -) is titled "Group of Bathers" and signed in the bottom right corner Bres-Rhocanges. Catherine Bres-Rhocanges paints women wit...

Work on paper

Hubert Finney (1905 – 1991) Soldiers Waiting Charcoal 37 x 55 cm A reclusive figure whose work has remained largely unseen, Finney studied under Eric Gill before winning a scholarsh...

The Lesson is a pen and Pastel Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989...

Pastel or Tempera on paper. Judaica Shtetl scene of village. This one depicts a Klezmer musician fiddler playing his violin. Anatoli Lwowitch Kaplan was a Russian painter, sculptor a...

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

Antoniucci VOLTI Sitted nude Original drawing in sanguine (charcoal) Signed bottom left On paper and cardboard , size 65 x 50 cm (26 x 20 inch) G...

From the estate of Jerry and Ruth Opper Abstract Expressionism Drawing c.1950s Ink and Pastel Drawing 18" x 12" Unframed Unsigned *Custom framing available ...

Blue pastel drawing realized recot/verso by Mino Maccari in 1934. One of them is hand signed in pencilo in the lower. Prov. Chiurazzi Gallery (stamp in the lower right of one of th...

"Bourrée Fantasque #12 Blue", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 b...

Scene with figures is a beautiful pastel on cardboard realized at the end of the 19th century and attributed to the Italian artist Gaetano Previati. The piece is in good condition. ...

Pastel drawing on paper realized by Kokoschka in 1953. Hand signed and dated lower right. Matted, with Image Dimensions : 14 x 22.5 cm Very good condition.

"ARAMIS" Ship is an original artwork in ink, pastel and watercolor on ivory paper realized by the French artist Jane Levy. Hand-signed on the lower right by...

Modern pastel drawing of a pair of sumo wrestlers in the middle of a match wearing green and blue mawashi set against an orange floor. Signed by the artist in the front lower right c...

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his...

Mountain Village is an original drawing in pencil and pastel on paper realized in 1957 by Werner Epstein. Hand-signed and dated on the lower left in pencil. The state of preservation is very good except for a small rip at the top right. Applied on a white Passepartout: 40 x 30 cm The artwork represents a beautiful mountain village landscape...

Untitled  is a drawing, realized in  1920s , by the French Artist  André Meaux-Saint-Marc (1885-1941)   Black and white pencil on paper. Hand Signed on back. The artist wants to de...

View is an original Pastel en Gravure realized by Claude Maillard in 1926. The beautiful little artwork represents a small sailboat on the sea. Good condition on a cream colored pa...

Bird is a drawing in pastel on paper realized by Benn (Bencjon Rabinowicz) in 1970. Hand signed on the lower, dated. Good conditions. Benn (Bencj...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “SRI” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 19 x 21 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Guardian, Cowboy And Horseman Of The Camargue, 1970. Pastel On Paper. Signed & Dated Lower Right. Paper size 15.2 inches x 2...

Bright Fauvist landscape of Half Dome in Yosemite National Park, with beautiful use of color by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in...

Untitled Pastel on paper, 1922 Initialed lower right (see photo) Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. Condition: Excell...

Modern pastel drawing of a sumo wrestler wearing a mawashi as he prepares for a match. Signed by the artist in the front lower right corner. Currently hung in a black frame with a li...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

"Bourrée Fantasque #11 Blue", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the Ne...

Figure of a Woman in Blood is a drawing realized by Joseph Colin in the early 20th century. Pastel drawing. Good conditions. Hand signed.

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

"Bourrée Fantasque #4", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the New York...

This work features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on myla...