Sumi Ink Drawings and Watercolor Paintings
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Style: Abstract
Medium: Sumi Ink
Rhythm Hut #17: framed abstract ink painting on art paper in red & black w/ moon
By Antonio Puri
Located in Bryn Mawr, PA
This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Walnut, Paper, Sumi Ink, India Ink
Escape, mixed media on wood panel, abstraction, space, 84" x 60"
Located in New York, NY
Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Canvas, Resin, Sumi Ink, Acrylic, Wood Panel
Rhythm Hut #20: framed abstract ink painting on art paper in red & black w/ moon
By Antonio Puri
Located in Bryn Mawr, PA
This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately.
Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections.
Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...
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2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Walnut, Paper, Sumi Ink, India Ink
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
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21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
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Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
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21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Drawing 02-02-16
By Jun Kaneko
Located in Phoenix, AZ
sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed)
b. 1942, Nagoya, Japan
Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...
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Swipe 3 (Abstract painting)
Located in London, GB
Swipe 3 (Abstract painting)
Sumi ink and paint on paper. Unframed.
For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...
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2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink, Acrylic
Swipe 3 (Abstract painting)
Located in London, GB
Swipe 3 (Abstract painting)
Sumi ink and paint on paper. Unframed.
For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks. T...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink, Acrylic
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
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21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Blue Ice Island
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Watercolor on Arches paper
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Paper, Watercolor, Dye, Sumi Ink
$680 Sale Price
20% Off
Yes 2.0
Located in New York, NY
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...
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2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Ink, Sumi Ink, Archival Paper
Price Upon Request
ASEMIC N017.20
Located in New York, NY
A painting on paper set in a white shadow box frame, 30x 22" framed, protected by an acrylic glazing.
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vario...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
Price Upon Request
ASEMIC N051.20
Located in New York, NY
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
Price Upon Request
ASEMIC N050.20
Located in New York, NY
A painting on paper set in a white shadow box frame, 51.5x50" framed, protected by an acrylic glazing.
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vari...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink, Acrylic
Price Upon Request
YES N002.19
Located in New York, NY
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Ink, Sumi Ink, Archival Paper
Price Upon Request
ASEMIC N049.20
Located in New York, NY
A painting on paper set in a white shadow box frame, 44.5x71.5" framed, protected by an acrylic glazing.
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses va...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
Price Upon Request
YES N019.19
Located in New York, NY
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Ink, Sumi Ink, Archival Paper
Price Upon Request
ASEMIC N004.14
Located in New York, NY
A painting on paper set in a white shadow box frame, 30x 22" framed, protected by an acrylic glazing.
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vario...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
Price Upon Request
YES N024.19
Located in New York, NY
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...
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2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Ink, Sumi Ink, Archival Paper
Price Upon Request
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About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
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“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
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“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
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“Contemporary Painters (Who Just Happen To Be Women)”,
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“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
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Wax Crayon, India Ink, Encaustic, Color Pencil, Graphite
From One Lonely Cloud
Located in Clayton, MO
In From One Lonely Cloud color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
Amid The Blue Waves
Located in Clayton, MO
In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, India Ink, Encaustic, Archival Paper, Rice Paper, ...
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$6,500
H 50 in W 50 in D 2 in
"The Luminous Regions of the Sky" mixed media
Located in New York, NY
Meg Hitchcock
The Luminous Regions of the Sky, 2024
Text from Lucretius’ On the Nature of the Universe, acrylic,
graphite, colored pencil
22.5 x 18 in.
frame size: 27 x 22.25 in.
(Hi...
Category
2010s Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Thread, Ink, Acrylic, Color Pencil, Graphite
Sacral - abstract painting, made in black, grey color
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in.
Mila Akopova...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, India Ink
$304 Sale Price
20% Off
H 20 in W 16 in
Beneath The Evening Moon
Located in Clayton, MO
In Beneath The Evening Moon color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monoty...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
Previously Available Items
Original-Drawing Time Series-Brit Awarded Artist-Ink-gold-ink on Paper-Plein Air
Located in London, GB
The Summer Bloom Series is an ongoing project that Shizico Yi returns to each summer, painting en plein air in her garden. She began gardening in 2015 to create a healing space for h...
Category
2010s Abstract Expressionist Sumi Ink Drawings and Watercolor Paintings
Materials
Charcoal, Ink, Gouache, Graphite, Sumi Ink
H 15.04 in W 10.99 in D 0.04 in
Original-Sumi Ink on Fabriano paper-Drawing Time Series-British Awarded Artist
Located in London, GB
This original large ink drawing, created by Shizico at the transition from late summer to early autumn when Dahlias and Gladiolus take centre stage in her garden.
Like a modern-day M...
Category
2010s Abstract Expressionist Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Paper, Sumi Ink, Archival Paper
H 15.04 in W 10.99 in D 0.04 in
Drawing 02-09-37
By Jun Kaneko
Located in Phoenix, AZ
sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed)
b. 1942, Nagoya, Japan
Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Oil Crayon, Sumi Ink, Handmade Paper
"Flutist" Black and White Abstract Figurative Painting of a Woman with Flute
Located in Houston, TX
Modern black and white abstract painting of a flutist by iconic Houston, TX artist David Adickes. The work features a figure wearing a polka dot outfit while playing a tune on a flut...
Category
1950s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Paper, Sumi Ink
H 19 in W 16.88 in D 1 in
Points of Light
Located in Burlingame, CA
Points of Light is inspired by all good possibilities in dark times and is a meditative, methodical, zen like, calm geometric abstract drawing on a painted black background w/ repeat...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Archival Paper, Color Pencil, Graphite, Paint, Sumi Ink
Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Nexus VIII
By Toko Shinoda
Located in Fairlawn, OH
Nexus VIII
Sumi ink on paper, mounted to board by the artist, 1964
Sealed by the artist upper right recto; Signed in cursive, titled and dated in ink on reverse (see photo)
Signed with the artist's stamp upper right corner (see photo)
Exhibited: Betty Parson Gallery (See photo of label)
Original hand made Shinoda frame (see photo)
Condition: very good
Mounted to board by the artist, as was typical in her 1960's works
The paper yellowed from aging
Image size: 14 x 9 1/4 inches
"The first response of American eyes to Miss Shinoda's abstractions is always that here must be an exception ally refined follower of the late Franz Kline, whose broad swathes of black paint are similarly cut across white fields. The resemblance is there but it is superficial and indirect, going back to shared ancestry — natural to Miss Shinoda as a Japanese and adopted by Kline and other recent Americans who discovered that the principles of Oriental calligraphy could be revamped to serve the ends of modern abstract expression."
John Canaday, New York Times, May 7, 1971
Toko Shinoda (1913-2021)
Toko Shinoda's prints and brush stroke paintings are famous the world over. She was born in Manchuria in 1913 where her father managed a tobacco factory. Two years later, the family returned to Tokyo. Her father practiced calligraphy and sumi painting as a hobby, and began training his daughter at the age of six. Shinoda was also academically schooled in traditional calligraphy. She had her first exhibition at Tokyo’s Kyukyodo Gallery in 1940. Then came the war and the rebuilding of Japan.
Her abstract work began in 1947, inspired by the philosophy of Zen. “Certain forms float up in my mind’s eye. Aromas, a blowing breeze, a rain-drenched gust of wind…the air in motion, my heart in motion. I try to capture these vague, evanescent images of the instant and put them into vivid form.”
In 1954, Shinoda was included in a group exhibition of Japanese calligraphy at the Museum of Modern Art, New York. She produced mural calligraphy for the Japanese pavilion at the 400th anniversary of the city of São Paulo, Brazil. Two years later, she was able to secure a visa and permission to visit the United States. She managed to stay and travel for two more years. During that time, the heyday of Abstract Expressionism, she saw works by Hans Hoffman, Barnett Newman, Jackson Pollock and Mark Rothko. As Paul Gray...
Category
1960s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink
Double Staircase, Architectural Watercolor on Paper, Purple & Yellow Sculpture
Located in Barcelona, ES
"Double Staircase" is a hand-painted watercolor painting on high-quality 300g paper of a minimalist architectural sculpture, drawn and painted in the style of Sol Lewitt and other mi...
Category
2010s Abstract Geometric Sumi Ink Drawings and Watercolor Paintings
Materials
Ink, Archival Ink, Sumi Ink, Watercolor, Archival Paper
Colorful Swooshes and Swirls, Vigorous Black Brushstrokes on Marbling Background
Located in Barcelona, ES
"Colorful Swooshes and Swirls No.1" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique s...
Category
2010s Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Marble
Unititled
By Toko Shinoda
Located in Fairlawn, OH
Signed by the artist in ink lower right
Sumi-e ink and colored pigment on paper
Category
20th Century Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink
Untitled
By Toko Shinoda
Located in Fairlawn, OH
Signed by the artist lower left.
Sumi-e ink and colored pigment on paper
Category
20th Century Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink
Untitled
By Toko Shinoda
Located in Fairlawn, OH
Signed and sealed by the artist lower right.
Sumi-e ink on silver foil mounted on wood panel.
Category
20th Century Abstract Sumi Ink Drawings and Watercolor Paintings
Materials
Sumi Ink
Sumi Ink drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Sumi Ink drawings and watercolor paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add drawings and watercolor paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Jeff Conroy, Katherine Filice, Ryan Rivadeneyra, and Kind of Cyan. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Sumi Ink drawings and watercolor paintings, so small editions measuring 0.1 inches across are also available Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,595,000, while the average work can sell for $893.