GENEVIEVE ZONDERVAN (1922-2013)

Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women

c. 1950's

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19.5 inches Beautifully decorative, mid 20th century French orig...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed double sided paper size: 24.5 x 18.75 inches Beautifully decorative, mid 20th ce...

Victor Cartagena Untitled, 2022 Charcoal and acrylic on canvas Unframed dimensions: 48 x 36 inches Framed dimensions: 54.25 x 42 inches

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but they give the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist employed a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood-red, reddish, or flesh coloration. For centuries, painters from the 15th and 16th centuries, including famous masters like Michelangelo, Raphael, and Leonardo da Vinci, have used it for drawing. The drawing has an elaborate off-white matte with acrylic glass protection and a modern wood frame with a deep-textured pattern in red and yellow. Measurements: With Frame: 20.87 in wide (53 cm) x 28.35 in high (72 cm) x 1 in deep (2.5 cm). View alone: 11.44 in wide (29 cm) x 18.94 in high (48 cm). Biography: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...