Fabric Nude Drawings and Watercolors

Under the Matterhorn - Acrylic on Canvas A sleepy village sits under the shadow of the Matterhorn in this Swiss-style painting by an unknown artist. A handful of lights illuminate w...

Painting: Oil on Canvas Dimensions: 40 in x 65 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia and currently resid...

A female nude reclines on crumpled bedsheets with her hands entwined above her head. The viewer has a "glitch in the system" while gazing at her as her body becomes distorted. Masterfully painting with beautiful realism, this sensual painting...

This abstract nude figure drawing by Kelly Rossetti features a light charcoal grey palette on white paper, with an expressive line drawing of nude figur...

James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...

Young Sicilian (Italy) painter, Simone Geraci was born in 1985 in Palermo, where he lives and works. In 2012, he graduated from Accademia di Belle Arti of Palermo with a major in art...

Richard Tosczak creates life size paintings and sketches of his models which he then recreates in bronze. This large scale canvas reflects speed, gesture and the effect of capturing ...

Wasim Kapoor - Untitled - 24 x 24 inches ( unframed size ) Conte on Canvas. This work will be despatched in a roll form. Style : Wasim Kapoor is an artist possessed by the dark emo...

11x14 (with frame 19x23) Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought ...

Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist fo...

A pillow book was meant to teach a young bride about the art of lovemaking. This rare museum-quality 19th century example is composed of 12 masterfully pai...

Sunil Das - Confrontation Series - 7.5 x 7.5 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Hence the major motifs in his drawings and paintings a...

Wasim Kapoor - Untitled - 24 x 24 inches ( unframed size ) Conte on Canvas. This work will be despatched in a roll form. Style : Wasim Kapoor is an artist possessed by the dark emo...

The female nude in Shuta Ruelas's painting entitled "The Skinning Erotica" is obscured by white lines representing our digital selves. This digital world we have built for ourselves...

Afternoon, 2003 Acrylic on canvas 117.32 H x 84.44 W in. 298 H x 214,5 W cm The painting "Afternoon" represents a landscape where the bodies of the two lovers...

Prakash Karmakar - Flower Girl - 48 x 36 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal w...

Prakash Karmakar - Lady with the Lamp - 48 x 36 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from B...

PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery of Katarzyna Napiorkowska is one of the first private a...

Prakash Karmakar - Lady with Flowers - 39 X 30 inches (unframed size) Ink on Canvas Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Be...