Lynne Fernie

Aphroditus - black & white, minimalist, figurative nude, female, ink on paper

2011

Antonia's Line, named after the Dutch film written and directed by Marleen Gorris. The film has been described as a "feminist fairy tale," tells the story of the independent Antonia ...

Richard Tosczak creates life size paintings and sketches of his models which he then recreates in bronze. This large scale canvas reflects speed, gesture and the effect of capturing ...

In this striking black ink on white drawing by Canadian artist Lynne Fernie, three standing figures appear to move across the canvas. Fernie’s abstract compositions explore the grace...

Rising above a strip of inky black, a black rag doll figure rendered in calligraphic brushstrokes meets three curved lines resembling waves in this pain...

A rare and original illustrated boxed folio of The Journals of Susanna Moodie, arguably Margaret Atwood’s finest work of poetry. In it, she adopts the ...

The iconic Canadian image of a moose— ‘the Monarch of the North’ is captured in this early serigraph by Charles Pachter. The black outline of a moose is viewed plunging off a cliff i...

Sepia ink drawing on paper. Part of my Nude in interior series. In mat, overall dimensions 52x42cm / 20x16.5 in. Shipped in mat, from the artist's studio.

"Sam" by Brian Driscoll is presented in three layers. The male nude reclines in front of a background of hounds tooth wall paper and then Sam is overlayed with a veil of floral designs. It is as if are being allowed to draw back the curtain into this very private space. This three-dimensional quality of Driscoll's drawing is highly complex in its execution. Each layer is a different geometrical pattern - the heavy lines that take up the wallpaper, the tiny hash marks that evolve into Sam and finally, the absence of color to create the floral curtain. Brian Driscoll Sam, 2019 ink on paper 17h x 14w in 43.18h x 35.56w cm BWD013 Through drawing, Driscoll creates Midwestern mythologies exploring aspects of masculinity in working-class rural America...

"Desire" (2020) by SarahGrace Watercolor and Ink on Paper; Blue, White & Black, Contour Sketch, Woman Posing, Face, Pose, Portrait, Figurative Study Wate...

"Good Hair" (2020) by SarahGrace Watercolor and Ink on Paper; Blue, White & Black, Contour Sketch, Woman Posing, Face, Pose, Portrait, Figurative Study W...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. 1. Duchándome 2. Pensando & recordando a Luis Caballero...

Set of 4 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th Overall Size: 39 in. H x 27.5 in. W Individual size: 19.5 in. H x 13.75 in. W Unframed 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...