Head Nude Drawings and Watercolors

The artist has worked with various materials, but many of his works were created on paper. Although he began painting abstractly at an early age, Staudacher’s roots lie in the figura...

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Rudolf Bonnet (1895-1978) 'Mepèèd' (Mapeed) Signed lower right Titled upper right Pastel on gouache pigmented paper, 57 x 34 cm In original carved ebo...

Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass. Drawings and paintings of the nude were central to academ...

Aristide Maillol (Fr, 1861-1944) A very large original charcoal drawing by Aristide Maillol verified by Olivier Lorquin, Director of Galerie Dina Vierny at the Musee Maillol in Par...

Eros is a pencil drawing realized by Maurice Vertès in the 1930s. Good conditions with slight folding.

Flemish Black Leather, 1962 Pastel on paper 16 x 18 in. Framed: 21 1/2 x 23 3/4 x 1 in. Signed and dated lower right Inscribed verso

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled Year: 1977 Medium: Graphite on Artist's Board Size: 48.5 x 38.75 inches Condition: Excellent Inscription: Signed & date...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1977 Year: 1977 Medium: Graphite on Artist's Board Size: 52.5 x 40 inches Condition: Excellent Inscription: Signed & d...

Graphite pencil on paper, signed and dated (middle right), 22cm x 20cm, (51cm x 46cm framed). (This work was kept by the artist for his personal collection. This was the only tonal d...

A muscular male torso with tattooed arms, holds a gun while gazing up towards the sky. The face is obscured but the viewer is drawn toward the taut, defined muscles. This piece is floated and framed in a simple black frame measuring 18.25h x 15.25w inches. Bruno Surdo Strength charcoal on paper 11h x 14w in 27.94h x 35.56w cm BRS113 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

"Untitled 29" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5" inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

French School watercolour/pen drawing on artist paper painting: 10.5 x 8 inches provenance: private collection, England condition: very good and sound condition

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Crouching nude man with a mustache...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study of a Male Nude Carrying a Staff Pencil and Charcoal on Paper with Heightening on paper. Annotation (presumably a dedication) lower left. Paper size 24 inches x 16.5 inches ( 61cm x 42cm ). Frame size 30.1 inches x 22.2 inches ( 76.5cm x 56.5cm ). Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826. The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork. This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Eduard Braun. This drawing has a later annotation and presumably a dedication in red ink in the bottom left hand corner. The annotation is the monogram HL within a heart. The configuration of the HL resembles the format used by the French artist Henri Laurens 1885 – 1954 where the downstroke of the L is merged with the second downstroke of the H. This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms. This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that. The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model. The subject of this drawing is a young man, possibly in his mid-twenties, with a toned and muscular body. He is standing with his weight on his right leg, which is slightly bent, and holding a wooden staff in his right hand. His left foot is raised slightly with the toes pointed, and his left hand is placed behind his back. Although he is facing fully towards the viewer, his gaze is to his left. He has pleasant, serene expression on his face. The background is bare, save for the shadow cast by the model. This original antique drawing...

Jose el velezolano Sabado 25 de junio, 2016 by Celso Castro Crayon and pastel on cardboard Image size: 40 H in. x 29 in. W Unframed ____________ Undefined by medium, Celso Castro’s...

Untitled, 1997 by Celso Castro-Daza Pencil on archival paper Image size: 39 in. H x 48 in. W Sheet size: 45 in. H x 59 in. W Unique Drawing on paper is his basic work tool, some ...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

"Desire", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. 1st dibs o...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman sitting with...

Nudes is a pencil drawing realized by Paul Emile Colin (1867-1949). Good condition. Stamped signature. Passepartout. Paul-Émile Colin born onAugust 16, 1867 in Lunéville ( Meurth...

Soft pastel on toned archival sanded paper signed and dated bottom right corner. One of many pastel nudes by the artist who has done extensive work in the medium in addition to his o...

Naked Woman is an artwork, realized in early 20th Century, by the French Artist André Meaux Saint-Marc (1885-1941). Drawing pencil on paper. Hand Signed on back. The artist wants t...

A very eye catching and fun abstract of two nude figures by the Modern British artist Roger Hilton. Roger Hilton CBE (1911–1975) was a pioneer of abstract art in post-Second World W...

Seated male nude that falls fully within the academic "model from life" production of the early 19th century, as also seems confirmed by the "Titus-like" hairdo of the effigy. The s...

Artist: Justin Liam O'Brien Title: Seated Nude and Landscape Medium: Graphite on Paper Size: 10 x 7 Inches Year: 2021 Notes: Hand Signed, Titled and Date...

Nude of Woman is an artwok realized by the French Artist Emile André Leroy. Pastel Drawing on paper. Hand Signed in the left margin. Good conditions except fo a small tear in the r...

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Graphite on paper, signed bottom right 'R.R.T' Image size: 9 1/2 x 4 1/2 inches (24.25 x 11.5 cm) Hand made Pre-Raphaelite gilt frame This is a delicate graphite study of a nude wom...

A black and white figure study of a standing nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Har...

Muscular Man pencil drawing on wove paper (circa 1900-1920), by Bernard Sleigh, RBSA (Provenance: from the artist's studio). An exquisite drawing which is possibly a study for a larg...

A delicate 20th century life study in charcoal, showing a female sat on a single mat and sheets. Well-presented in a black, high gloss frame with white card mount. Unsigned. On paper.

A fine life drawing depicting a seated woman partially covered with material. The artist captures the model in a delicate hand showing primary sketches in preparation to the upper ri...

Vintage 3 Figurative Nudes in Conté Crayon on Paper (1946) Matté‎ In an indigo blue and burnt orange color palette by French artist Matté‎ (French, 20t...

A black and white figure study of a seated nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harol...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

A black and white figure study of a standing nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Har...

Estate stamped, verso, for VIctor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

Seated Nude in Charcoal on Paper Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...

Graphite on paper Image size: 13 x 10 1/2 inches (33 x 27 cm) Mounted This is a delicate 19th century academic graphite drawing of a seated female nude in the neoclassical style. A...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man with a bandana in tones of brown and a...

Tsuguharu Léonard FOUJITA (1886-1968) Sketch of a baby Graphite pencil and ink on paper Bears the stamp of the succession Kimiyo Foujita in the lower right corner 15,7 x 11,8 inch Pr...

Original drawing on archival paper, circa 1965. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s graduate studies...

This untitled work by Rick Sindt was inspired by the works of Paul Cadmus. It is a small graphite drawing of two male nude figures with both of their faces somewhat obscured during an intimate moment. The graph lines often used by artist are still visible to distinguish between the photographic elements of a Polaroid photo and this actual drawing. The piece is framed in a white float frame measuring 12.5h x 10.5w inches. Rick Sindt Untitled - After Cadmus graphite on panel 10h x 8w in 25.40h x 20.32w cm Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? In the body of work submitted here, black and white graphite drawings maintain a Polaroid scale referencing the found historical photographs on which they are based, oil paintings provide isolated moments of feeling as they investigate questions about queer dispositions in a contemporary setting, and a few key sketches provide insight into how a few individual inquiries began. Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. An elegant, cabinet-sized Post-Impressionist graphite drawing of a young woman, sh...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

This beautiful drawing, of great technical virtuosity, is one of the many studies made by Ingres for Astraea, one of the key characters in the Golden Age fresco he painted between 18...

Robert Gilberg (1911-1970) "Pink Cheeks" c.1950s Ink and pastel on paper 12"x13.75" unframed Unsigned Good Condition - Wear consistent with age and history. Deep creases on upper le...

Seating on Armchair, nude, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Size is 27.5x19.5in / 70x50cm on heavy watercolor paper, with ultramari...

Walt Kuhn Reclining Figure, 1935 Signed and dated lower left Pen on paper Sight 11 x 15 inches Provenance: Kennedy Galleries, New York Spanierman Gallery, New York Private Collection, New York Exhibited: New York, Kennedy Galleries, Walt Kuhn, December 3 - 31, 1968, no. 71. Walter Kuhn...

Charcoal drawing of a lounging nude woman by Miles Mathis. 18 x 24 inches About the Artist: Miles Mathis is an American artist known for his nude portrai...

A rare pencil drawing by John Lear created in 1937, signed and dated in pencil. John Brock Lear, Jr. Born: 1910 - Chestnut Hill, Pennsylvania Died: ...

This Richard Vernon Goetz Drawing on Paper from the mid-20th Century features a standing female nude rendered in black and grey cross-hatch lines of Charcoal and Conté Crayon. The we...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject stands with his face tilted away from the viewer. His tall, straight po...

An exquisite nude by Kittie O'Meallie, an artist out of the famous Newcomb arts program at Newcomb College in New Orleans which beginning in the early 20th century led the Southern "...

Stamped, verso, with certification of authenticity for Jane Ament De La Roche (American, 1916-2000) and created circa 1950. Winner of the Prix Othon Friesz, Ament first studied at the Chouinard Art Institute and, subsequently, in Paris with André L’Hote...

Watercolor by Louis BERTHOMME SAINT-ANDRE, France, ca.1925. The nap. With frame: 75x60.5 cm - 29.5x23.8 inches, without frame, just the watercolor: 53x39 cm - 20.9x15.35 inches. Signed lower left "Berthomme St André" (see photo). Louis Berthommé Saint-André is a figurative painter, fresco painter, decorator, illustrator, engraver, ceramist and French lithographer born in 1905. He comes from rural and commercial France: his father ran a wine and grocery business. In his youth, Louis Berthommé Saint-André was injured by a kick, which left him with a stiff leg, preventing him from driving, among other things. The family left Oise to settle in Saintes, where the artist studied at La Recouvrance. He entered as a student architect with Georges Naud, responsible for the historical monuments of Charente then, in 1921, he entered the School of Fine Arts in Paris. Louis Berthommé Saint-André is one of the great representatives of French figurative painting in the 20th century. He was trained at the School of Fine Arts by two very old masters who died during his training: Fernand Cormon (1845-1924) and Jean-Paul Laurens (1838-1921). He retains from their training the taste for well-learnt techniques, but from his first works, he is part of modernity. His constructions show decomposed forms inspired by Cézanne, while maintaining a keen sense of rigour. He never strayed from realism, but his very colourful, sometimes incisive palette and his freedom in representation gave his painting a bite and an acidity that placed Louis Berthommé Saint-André among the great talents of his time. Silver medal at the Salon of French Artists where he exhibited from 1924 to 1929, he won the Abd-el-Tif Prise in 1925 and was then the youngest resident of the villa in Algiers. Friend of Jean Launois, in addition to his recognised portraits, he painted Algiers and the Kasbah. His studies of women recall those of Eugène Delacroix, but if his luminous inspiration is due to the Algerian sun, his touch is more Cézanne than purely orientalist. He left Algeria in 1928, to return there in 1931. Before the war, Berthommé Saint-André exhibited regularly in all the major Salons: from 1928 at the Salon d'Automne, at the Salon des Beaux-Arts (1934 to 1936) at the Salon des Tuileries since 1935. His inspiration is close to surrealism . During the Occupation, he became very "fauve", in reaction to the darkness of the war. He joined the Resistance, and collaborated with Vaincre (Resistance newspaper). After the war, he developed a style close to poetic reality (Brianchon, Legueult, Oudot, Terechkovitch, Cavaillès. Caillard, Limouse, and Planson), without however ever being part of the group so called. He is present at the Salon Comparaison, at the Salon of painters Witnesses of our time, is president of the Salon of drawing and water-based painting. He has exhibited solo internationally, in Europe, the USA and Japan in particular. In 1977, he received just before his death, the grand prise of Painters Witnesses of their Time. He died on October 1, 1977 in Paris. Bibliography - Michel Droit. Berthommé Saint-André. Éditions de la revue moderne, 1981 Wall frescoes Entrance to the Direction, National School of Fine Arts, Paris Lycée Charlemagne, Paris, Notre-Dame and the banks of the Seine, 1952 Staircase of the Staff of Poitiers Personal exhibitions Villa Abd-el-Tif, Alger, 1922 Galerie Armand Drouant, Paris, 1928 Galerie Marcel Bernheim...