Portrait Drawings and Watercolors

Figure is an Original Pencil Drawing realized by Alexandre Bida (1823-1895). Good conditions. No signature. F. Alexandre Bida (1813–1895) was a Frenc...

Nude is an original ink drawing artwork, realized by Sergio Barletta in the 1970s. Hand-signed on the lower margin. Good conditions (some stains and foldings). Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others.In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years.In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings...

Sleeping is an original Drawing in Pencil artwork realized by Antony Roland. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a well-balanced composit...

Portrait of Sleeping Man is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. ...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

Matador 1 is a Contemporary artwork realized in 1964 by the italian Contemporary artist Leo Guida (1992 - 2017). Ink and Watercolor on paper. Hand-signed and dated on the lower lef...

Regiment Provisoire Croate is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted thr...

"Portrait" is an original drawing in pencil on paper, realized by an Anonymous Artist of the early 20th Century . The state of preservation of the artwork is fair, with some foxi...

Portrait is an original modern artwork realized by Marcello Muccini. Black and white marker drawing. Includes frame: 52 x 47 cm

Woman in an Interior is a pencil drawing realized by Claudin Felix in 1890. Good condition on a brown paper included a white cardboard passpartout (25x16 cm). No signature.

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel...

Clyde Steadman's "Untitled 8" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face.

German Legion is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong line...

Many of you clicking on this drawing are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

The Sketches and Portraits is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen. Good conditions. The artwork ...

David Gilboa (1910-1976). David Gilboa was born in Romania in 1910. He studied at Academy of Fine Art, Bucharest, Romania, during the years of 1927-29. He immigrated to Israel in 193...

Gallant and Ladies is an original pen drawing realized by Mino Maccari in the mid-20th century. Good condition on yellowed paper with an aged left margin. The artwork is represente...

Poor Family is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in china ink. Hand-signed on the lower right. Good conditions. Pierre...

Vogue, set of watercolors on archival paper by Manuel Santelices Individual dimensions: 12 in. H x 9 in. W Overall dimensions: 12 in. H x 45 in. W ...

Boy on a cliff is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figure is...

Master portrait artist and illustration legend Bob Peak captures the likeness, dignity and essence of Saudi Arabia's King Faisal for Time Magazine Cover ...

Regiment Provisoire Croate Officier is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is dep...

"Figures" is a drawing in ink on paper, realized by G. Riegler . The state of preservation of the artwork is very good. Sheet dimension: 23.5 x 19.8 cm. Image Dimensions: 15 x 9.4 cm The artwork represents beautiful figures in one interior drawn in ink.

The Lady is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil. Hand-Signed on the lower. Vey Good conditions. Pierre-Georges...

Clyde Steadman's "Untitled 7" is an original, handmade watercolor painting that depicts an impasto portrait of a feminine face with a blue background.

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1982. Hand-signed and dated by the artist on the lower right margin. The three boys are represe...

Brightly colored portrait by Michael William Eggleston (American, 20th Century). A woman with a large green hairdo is depicted against a purple and red background. She is wearing a l...

Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Halston Halstonettes Liza Minelli, Marissa Berenson, Bianca Jaeger and others Image size: 29 in. H x 33 in. W Watercolor on archival paper Manuel Santelices explores the world of fa...

Work on paper

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Monna Lisa is an original modern artwork realized by Mino Maccari in the mid-20th Century. Watercolor drawing. Hand signed on the lower margin. Includes frame: 49 x 3 x 43

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. T...

Regiment Provisoire Croate is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted thr...

Serge Ferat " Arlequin " , canvas on board signed dated 1930.

Sentiment is an original drawing in china ink on paper by an Anonymous Artist of the XX century. Sheet dimension: 21 x 26 cm The state of preservation is good except for some stai...

Cleaning Of the House is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil and watercolor. Hand-signed on the lower. Good...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist depicts a delicat...

Boy at the beach is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The boy is represented with a ...

Portrait is an original pencil drawing realized by Tibor Gertler in 1960. Good conditions, mounted on a white cardboard passpartout (60x40 cm). Hand-signed by the artist on the low...

The Figures Sketches is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen and pa...

Cuties Cartoon Strip - E. Simms Campbell My Husband Former Girl Friends - First Black Illustrator/ Cartoonist,

Brightly colored portrait by Michael William Eggleston (American, 20th Century). A cubist-style portrait depicts an abstracted person wearing an orange mask over their eyes. This pie...

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

'Portrait of Jean', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil paintings ...

Kurhessisches Corps is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-si...

Portrait is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. With another port...

Charcoal on paper without frame

Portrait is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed. Good conditions. Pierre-Georges Jeanniot (1848–1...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. T...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. The artwork is depicted through strong lines in well-balanced conditions. Herbert Knotel was a german artist, son and pupil of the famous uniformologist and military historian Richard Knotel...

Vibrant portrait entitled "King of the Blues" by John Martin Socha (American, 1913-1983). Bold and angular, this piece depicts an African-American man wearing a crown. Given the date of the piece (1955), it is likely a reference to B. B. King, who began topping the Billboard charts in 1953. The portrait is slightly abstracted, with ornamentation that adds detail and depth. Signed and dated "Socha 1955" in the lower left corner. Presented in a wood frame with a linen mat. Frame size: 17.5"H x 14.75"W Image size: 9.5"H x 6.5"W John Martin Socha (American, 1913-1983) was a painter and teacher from St. Paul, Minnesota. As a teenager, Socha studied with Diego Rivera and attended the Minneapolis School of Art. He later worked as a WPA artist in the 1930s, and Rivera’s influence can be seen in his murals. Socha then served in the US Army from 1943-1946 before attending the University of Minnesota in 1947. Socha’s work has won many awards and is in the National Gallery of Art in Washington DC. Exhibited: Minnesota State Fair, 1938-40 (prize), 1941 (prize), 1942; Minneapolis Women's Club, 1938-42 (prize); Minneapolis IA, 1938-41, 1942 (prize), 1943-46; AIC, 1941-42; MMA, 1941-42; WMAA, 1942; NGA, 1940, 1942; Guatemala City, 1940; Mexico City, 1942; Walker Art Center, 1938, 1940, 1949 (prize); Davenport Municipal Art Gal., 1941; St Paul Art Gal., 1938-42; Denver Art Mus.; Univ. Wisconsin; Fed. Courts Bldg (solo), Hamline Univ. (solo), St. Catherine's Col. (solo), Public Library (solo), St. Paul Park H.S (solo), all in St. Paul; Guy Mayer Gal., NY (solo); Mankato State College, 1957 (solo). Member: Minnesota AA; Minnesota Art...

Boy with glasses is an original drawing on pencil realized by Anthony Roaland in 1981s. Hand-signed and dated by the artist on the lower right margin. The artwork represents a yo...

Louise Brooks, 2016 From The Dis-enchanted series Ink on paper Image size: 16.5 in. H x 11.6 in. W Frame size: 20 in. H x 16 in. W x 1 in D The Dis-en...

Collections: With Ellis Smith, London; Private collection, to 2015. Literature: G.C. Williamson, John Downman A.R.A., his Life and Works, p. lviii no's. 2 and 3, p. xxxi. Exhi...

Sheperd is an original modern artowrk realized in 1958 by Claudio Cintoli. China ink drawing. Hand signed and dated on the lower margin. Includes frame.

original drawing by Jean Cocteau from Edouard DERMIT collection . signed and dated 1957 . framed .

Portrait of Boy is an original drawing pen realized by Anthony Roaland in early 1980s. The artist want to define a well-balanced composition, through a harmonious style. Good cond...