Portrait Drawings and Watercolors

Never No. 4, Original Contemporary Figurative Watercolor Painting, 2022 20" x 16" (HxW) Watercolor on Cold Pressed Watercolor Paper A modern impressionist portrait with splotches of color coming together to form the figure, this portrait by Elizabeth Becker...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Boy with glasses is an original drawing on pencil realized by Anthony Roaland in 1981s. Hand-signed and dated by the artist on the lower right margin. The artwork represents a yo...

The Landscape By the Lake is an original drawing artwork in pencil and white lead realized by André Ruellan in the early 20th century. Hand-signed on the lower. Good conditions. ...

Figures an original drawing in pencil realized by Fredric Henri Schopin(1804-1880) in the 19th Century. Stamped on the lower right. Good Conditions. T...

Sheperd is an original modern artowrk realized in 1958 by Claudio Cintoli. China ink drawing. Hand signed and dated on the lower margin. Includes frame.

Woman is an Original Pencil Drawing realized by Jacques Thévenet (1891-1989). Good condition included a white cardboard passpartout (65x50 cm). Hand...

Portrait of Boy is an original drawing pen realized by Anthony Roaland in early 1980s. The artist want to define a well-balanced composition, through a harmonious style. Good cond...

Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

"Sacred Scene" is an original drawing in ink on paper, realized by an Anonymous Artist of the early 20th Century . The state of preservation of the artwork is very good. Sheet d...

Boy on a cliff is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figure is...

The Sacred Flying Chariot is an Original pen and pencil drawing on paper realized by an unknown french artist in 1937. Monogrammed "P.B." on the lower and dated and hand-note on the...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981s. Hand-signed and dated by the artist on the lower right margin. The artwork represents a fresh and beautiful nude male portrait...

Lina – Pocasset August 6, 1934 Signed in pencil, u.r.; Also titled and dated in pencil, l.r. Graphite on paper 10.25 x 14.5 inches, sheet This work is offered by CLAMP in New Yor...

Graphite and ink on handmade, watermarked C & I Honig laid paper, 8 15/16 x 6 3/4 inches (226 x 170 mm). Signed illegibly in ink, lower margin. Scattered light creasing and surface...

Coffee Espresso #11 by Eliza Southwood [2022] original and hand signed by the artist Coffee on Paper Image size: H:42.5 cm x W:59.5 cm Complete Size of Unframed Work: H:42.5 cm x W:59.5 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Coffee Espresso #11 by Eliza Southwood is an original artwork by Eliza Southwood. It features one cyclist painted in coffee, combining cycling...

Boy with glasses is an original drawing on pencil realized by Anthony Roaland in 1981s. Hand-signed and dated by the artist on the lower right margin. The artwork represents a you...

Boys lying down is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figures a...

Portrait is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. With another port...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist represents the fi...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist want to define a w...

Amazing (2018), Watercolor on Paper Fabriano 600 g, 44x64 cm, by Italian contemporary artist Annemarie Ambrosoli (ICA - International Certified Artist) This watercolor comes directl...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist depicts a delicat...

Sorrowful Lady is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in charcoal. Hand-signed on the lower. Good conditions...

Friends Forever (2018), Watercolor Paper Fabriano 600 g, 42x58 cm, by Italian contemporary artist Annemarie Ambrosoli (ICA - International Certified Artist) This watercolor comes di...

Oil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Le Croates is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong lines i...

Portrait is an original Pencil drawing on paper, realized by an anonymous artist in the Mid-20th Century. With another drawing on the rear. Good conditions.

The Lady is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil. Hand-Signed on the lower. Vey Good conditions. Pierre-Georges...

Figures is an Original Drawing in red Pencil realized by an anonymous artist in the Early 20th Century. Mint Conditions. The artwork is depicted throu...

Regiment Prov. Croate is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through str...

Serge Ferat " Arlequin " , canvas on board signed dated 1930.

Le Croates is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through strong lines i...

A delightful watercolour painting with gouache details, depicting traditional street vendors with their baskets. Well-presented in a washline card mount ...

A fine pen and ink drawing by the artist Peter Collins, depicting two studies of the same figure seated on an armchair. Unsigned. Well-presented in a white on black card mount and in...

Le Croates en Allemagne is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted through s...

Portrait d'un homme is an original Drawing in Pencil, realized by the French painter Charles Paul Renouard (Cour, Cheverny, 1845 - Paris,1924). Good conditions. Charles Paul Renoua...

Zygmunt Menkes (1896-1986) Dancers ink on paper 23 x 22.5 cm signed lower right

The Memory of the Sea is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1900s.. Drawing in charcoal. Hand-signed on the lower. Good co...

Initialed lower right: "M.L.". Estate stamp verso, lower left: Lucille Deming Lewis Collection. Inscribed verso, lower left: "LDL-803". In fine condition.

Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...

The Compassion is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Charcoal. Hand-signed on the lower. Good conditions...

The Sorcerer is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Pencil. Hand-signed on the lower. Good conditions. P...

Figure is an Original Pencil Drawing realized by Alexandre Bida (1823-1895). Good conditions. No signature. F. Alexandre Bida (1813–1895) was a Frenc...

The Musical Band is an original Drawing on paper realized by the French painter Norbert Meyre in the mid-20 century. Drawing in mixed media. The artwork is represented through deft...

9e bis Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. The artwork is depicted thr...

Portrait of a Man is an original artwork realized in the second half of the 19th century by Édouard Detaille. China ink on paper. Passpartout cm 65...

Regiment Provisoire Croate is an original drawing in ink and watercolor realized by by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwork is depicted thr...

Louise H. "Louie" Burrell (née Luker 1873 – 1971) was an English-born artist who also lived in Canada and the United States. The daughter of William and Ada Luker, both artists, Bur...

Karl Anton Fleck's portraits captivate through reduction to the essential, as well as distortion and the use of details and symbols. The striking stroke creates clear contours and th...

Man at work is a drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1899. Hand signed and dated on the right margin. Good conditions. Louis Minet ...

Boy at the beach is an original drawing on pencil realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The boy is represented with a ...

Poor Family is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in china ink. Hand-signed on the lower right. Good conditions. Pierre...

7e Hussards is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. Hand-signed. T...

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1982. Hand-signed and dated by the artist on the lower right margin. The three boys are represe...

A fine self portrait by artist Margaret Robinson. Robinson's portraiture skills are demonstrated by her strong sense of line and tone in this striking piece. On wove.

Kongl. Lifgardet till Hast is an original drawing in ink and watercolor realized by Herbert Knotel in the 1930/40s. Good condition except for being aged. The artwork is depicted th...

Walter Jenks Morgan (1847-1924) - Original Early 20th Century Watercolour. A beautiful watercolour by listed artist Walter J. Morgan depicting a Venetian woman...