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Edwin Longsden LongPortrait Studies
About the Item
Edwin Long
1829 - 1891
Portrait Studies
Graphite on paper
Image size: 4 x 8 inches (10 x 20.5 cm)
Framed
Edwin Longsden Long RA (1829-1891, British) was the son of an artist and born in Bath, Somerset, England. Long was a portrait painter also known for his English genre and Orientalist works. Long went to London where he studied art at the British Museum. Afterwards, he travelled to Spain where he became influenced by the paintings of Velasquez. In 1874, he travelled to Syria and Egypt where he became interested in romantic oriental scenes.
- Creator:Edwin Longsden Long (1829 - 1891, British)
- Dimensions:Height: 4 in (10.16 cm)Width: 8 in (20.32 cm)
- More Editions & Sizes:4 x 8 inchesPrice: $1,648
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52410997242
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English 1884 - 1934
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Signed and dated '(19)07' lower left
Image size: 6 1/4 x 8 1/2 inches (16 x 21.5 cm)
Contemporary Pre-Raphaelite style frame
One of Britain's leading stained glass designers during the early decades of the 20th century, Karl Parsons drew portraits invariably for pleasure rather than commissions, throughout his life, and it is in these that one sees most clearly the influence of some of the artists whom he most admired, notably Botticelli, Rossetti and Burne-Jones.
Though harkening back to these illustrious forebears, both technically and compositionally, this portrait also epitomises the type of portraiture that was fashionable in British high society at the start of the 20th century. Karl Parson's technique here, with delicate shading and strong outlines, is certainly comparable to Gerald Leslie Brockhurst's graphic style. It is clear that Parsons took delight in demonstrating his skill at sculpting human forms through gentle shading.
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James Stroudley
Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
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