Elizabethan pair of portrait miniatures holding love tokens from the garden

B. C. Leeming (British, circa 1901) A Portrait of John Ruskin Ink Signed and dated ' B C Leeming 01’ (lower left) 13 x 10.1/4 in. (33 x 26 cm.). Provenance: Collection of James S D...

Max Beerbohm (British, 1872 – 1956) Mr Harry Nicholls (In a life of pleasure), 1893 Signed ‘MAX’ (lower right), inscribed with title in ink Pencil on paper with evidence of some wate...

Giovanni Boldini (Italian, 1842-1931) Etude de femme au ruban noir Signed with atelier stamp (lower left), further inscribed, signed and dated by Emilia Boldini (the artist’s wife) `no 77 le_ atelier Boldini. Emilia Boldini Carbona 1931’ (on the reverse) Black crayon on paper 11.7/8 x 8.7/8 in. (30 x 22.5 cm.) Emilia’s inscription on the reverse from the year of his death. Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to Time magazine, he was known as the "Master of Swish" because of his flowing style, exemplified by the confident strokes in this fine example. Boldini was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Moving to London, Boldini attained success as a portraitist, painting notable members of society including Lady Holland and the Duchess of Westminster...

Sir Stanley Spencer, CBE RA (British, 1891 – 1959) A Portrait of Hilda, the artist’s wife Pencil on paper Signed and dated ‘Stanley spencer 1924’ (lower right) 8 x 9.3/4 in. (20.3 x ...

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...

Sketch of a Man in Profile 17th Century French School Ink on paper Image Size: 10 1/2 x 7 inches (26.5 x 17.5 cm) Framed Provenance The estate of Joseph McCrindle Christies Old Masters and British Pictures and Old Master Drawings Sale 12th December 2008 This highly worked picture shows us a man depicted in profile is seen interacting with a scene that extends beyond the boundaries of the paper's composition, the pen strokes intricately portraying the man's face, rendering a detailed, textured complexion. He points his left hand out to something in the distance, with a look of almost alarm. The artist Giovanni Benedetto Castiglione (1609-64) did a series of oriental head studies. The exotic headgear that he wears and this type of oriental head studies, had its principal source was of course Rembrandt, who etched many similar heads during the 1630s. In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Ottoman costume...

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

Provenance: Ivan E. Phillips, Montreal and New York, until 2023. The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...