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Herbert Johnson Harvey
Herbert Johnson Harvey, The Whisper, Self-Portrait, Pastel

c. 1920

$1,079.25List Price

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Girolamo Tubino After Raffaello, Sanzio Da Urbino La Velata
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This fine mid-19th-century watercolour by Italian artist Girolamo Tubino (1805-1879) is after ‘La Velata’ (Woman with a Veil) by Raphael (1483-1520),...
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Boris Sporykhin, Interior With Girls Reading, Drawing
Located in Cheltenham, GB
This mid-20th-century drawing by Russian artist Boris Sporykhin (1928-2020) depicts two girls reading within an interior. They also appear in an earlier oil painting, so it’s plausib...
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Thomas Sidney Cooper RA, Cow & Sheep In A Landscape
By Thomas Sidney Cooper
Located in Cheltenham, GB
This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...
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Amos Green, Near Ingleton, Yorkshire
Located in Cheltenham, GB
This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...
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William Kay Blacklock ARCA, Continental Farmhouse In Summer
Located in Cheltenham, GB
This charming early 20th-century watercolour by eminent British artist William Kay Blacklock ARCA (1872-1924) depicts an elderly lady carrying a basket and parasol before a farmhouse...
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A pair of portraits in profile (2 works) – English School, 18th century
Located in Middletown, NY
Red crayon on cream laid paper, 3 3/4 x 4 inches (95 x 102 mm) ; 3 3/4 x 3 1/8 inches (95 x 80 mm). Each with scattered early repairs done with non-archival tape on the verso; the sm...
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Portrait of a Man Wearing a Turban, 18th Century Pastel Drawing
By Thomas Frye
Located in London, GB
Pastel on paper Image size: 13 x 17 1/2 inches (33 x 44.5 cm) Mounted and framed This original pastel drawing by Thomas Frye is a half-length portrait of a man dressed in a turban. This drawing is the original sketch for one of the heads depicted in Frye's collection 'Twelve Mezzotint Prints' of 1760 and it can be assumed that this pastel work was created earlier of this same year. Two versions of the print, created from this original work, are currently held in the collection of the National Portrait Gallery and the Metropolitan Museum of Art. Frye's evocative figures, although presumably based on living models, exceed the conventions of portraiture, and also function as character studies. The man shown here - dressed in the fashionable 'Turkish' manner - turns with parted lips as if poised to speak, while raising the elegant fingers in one hand in a rhetorical gesture. His long eyelashes and smoothly rendered wrinkles and dimples are hallmarks of Frye's refined style. The Artist Thomas Frye (c. 1710 – 3 April 1762) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures and his early mezzotint engravings. He was also the patentee of the Bow porcelain factory, London, and claimed in his epitaph to be "the inventor and first manufacturer of porcelain in England," though his rivals at the Chelsea porcelain factory seem to have preceded him in bringing wares to market. The Bow porcelain works did not long survive Frye's death; their final auctions took place in May 1764. Frye was born at Edenderry, County Offaly, Ireland, in 1710; in his youth he went to London to practice as an artist. His earliest works are a pair of pastel portraits of boys...
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Located in York, GB
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