John Gilroy

Untitled (Redheaded Lady)

Mid to Late 20th Century

Unidentified Artist, "Untitled: 1930s Drawing of a Seated Woman", Signed Figurative Pencil Drawing on Paper, 21 x 13.88, Early 20th Century, 1936 Colors: Black and White *Unknown Artist signature...

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Mother Holding Baby", Figurative/Academic Drawing signed on Paper, 14 x 8, Early 20th Century Colors: White, Black "Untitled: Mother Holding Baby" is a Figurative/ Academic Drawing signed on Paper. Among our Gilroy collection of drawings, this particular work is unique due to its original grid markings included here within. As one can view among our details, the drawing has visible age markings and 3/4 of the perimeter rear of the work has tape. Nevertheless, as with all his figurative graphite works, a wonderfully drawn piece of a Mother cradling her infant child. John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts. In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.He worked with Dorothy L. Sayers. He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...

Pier Canosa (Italian, b. 1940), "Untitled: Portrait of a Woman 2", Abstract Figurative/ Portrait Charcoal Drawing signed and dated on Paper, 25.25 x 18.25, Late 20th Century, 1969 C...

Frank Campanella (American, 1922-2016), "Untitled: Girl in Green", Figurative Portrait done in Charcoal on Brown Charcoal Paper Unsigned, 20 x 14, Late 20th Century, 1980 Colors: White, Red, Blue, Brown, Black, Violet, Purple "Untitled: Portrait Of A Boy" is a Modern Figurative Portrait capturing a three quarter side profile of a young male subject. He's dressed in a purple/ violet sleeveless tank top with black trim. His hair is a dark brown with lighter beige highlight with light blue (turquoise) gazing eyes. Small nose and mouth depicted with a haze of Pink and White as figure separation backdrop. Frank Campanella is a listed artist known for New Jersey landscapes...

A charcoal portrait drawing of a young woman. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...

A stunning portrait of a Parisian beauty from the romantic period by Adele Grasset (active ca 1830-1850). With her intelligent eyes and determined look, doesn't this lady bear great resemblance to Chopin's paramour George Sand? The sitter is Jeanne Marie Vidal, wife of Claude Auguste Seguin, from a prominent family in Avignon, as the family tree attached to the back for the frame indicates. Research in old annals has also revealed that Madame Seguin was a modern and independent lady: she worked in lady's fashion in Paris, and patented wrapping mechanism that protected lady's hats during their transport! As often with woman artists of the 18th and 19th century, there is little biographical information available on the artist, Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...