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Pablo Picasso
Pablo Picasso Ceramic "Petit Visage n°12"

1963

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  • 18th Century Sanguine Drawing, La Naissance de Louis XIII, After Rubens.
    Located in Cotignac, FR
    18th Century French Sanguine drawing, possibly a preparatory sketch for the painting by Nattier after the painting by Rubens. Presented in shaped 'marie-louise' mount in plain gold wood frame with collection label. The subject is the Queen Marie de' Medici seated on a grand throne, the baby is in the arms of Health while Justice looks over him. Fecundity brings a cornucopia of fruit with the heads of the other children the Queen will bear. The Sun rides his chariot across the sky to indicate that Louis XIII was born in the morning and the calm figure of France surveys the whole scene. An engraving exists (see the Wellcome Collection) of this same image: 'The birth of King Louis XIII', after the engraving by B. Audran the younger after the painting by Jean-Marc Nattier after the oil painting of Peter Paul Rubens in the Louvre 'La Naissance du Dauphin (future Louis XIII) à Fontainebleau, le 27 septembre 1601'. Jean-Marc Nattier (17 March 1685 – 7 November 1766) was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire. He received his first instruction from his father, and from his uncle, the history painter Jean Jouvenet (1644–1717). He enrolled in the Royal Academy in 1703 and applied himself to copying pictures in the Luxembourg Palace, making a series of drawings of the Marie de Médici painting...
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  • Pair of Etchings V. 3. IX and XII
    By Peter Max
    Located in Rio Vista, CA
    Fantastic pair of Peter Max (American b. 1937) V. 3. IX and XII. In the manner of Picasso each color pencil signed lower center and titled low...
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  • “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of Madame
    By René Genis
    Located in Berlin, MD
    Rene Genis (French 1922-2004) “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of Madame Descazeaux. Ink on paper laid down on matt board. Unsigned. Image siz...
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  • Eighteenth-century Irish portrait of the Rev. Henry Dabzac
    By Hugh Douglas Hamilton
    Located in London, GB
    Pastel on paper, oval 9 x 7 ¼ inches; 230 x 185 mm Inscribed on the verso: ‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’ Collections: Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797); Sir Hugh Crofton (1763-1834); By descent to 1990; Private collection, Dorset to 2020. Literature: Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247 This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...
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  • Portrait drawing of Harriot Mellon, Mrs Thomas Coutts
    By Henry Fuseli
    Located in London, GB
    Inscribed by the artist in pen and brown ink, upper margin: 'σοφὴν δὲ μισῶ: μὴ γὰρ ἔν γ' ἐμοῖς δόμοις / εἴη φρονοῦσα πλείον' ἢ γυναῖκα χρή [Euripides, Hippolytus, 11, 640-41: “But a ...
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  • Regency portrait drawing of Arabella Graham-Clarke
    By John Downman
    Located in London, GB
    Collections: The sitter, and by descent; Christie's, 19th March 1928, lot 6; Private collection to 2019 Literature: G.C. Williamson, John Downman, A.R.A., his Life and Works, Lon...
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