David Barnett

"Iridescent Hybrid Rose, " Original Watercolor & Acrylic signed by David Barnett

2004

"Abstract with Grass and Poppies I" is an original watercolor, iridescent acrylic, and ink painting on watercolor paper by David Barnett. The artist signed the piece lower right. Thi...

"Abstract with Grass and Poppies II" is an original watercolor, iridescent acrylic, and ink painting on watercolor paper by David Barnett. The artist signed the piece lower right. Th...

"Entrance to the Iridescent Garden-First Day of Spring" is an original mixed media piece by David Barnett. The artwork is signed in the lower right. Barnett used iridescent watercolo...

"Leonardo Soft Landing in the Garden of Eden Thanks to Penny's Giant Hybrid Hibiscus Parachute" is an original mixed media piece by David Barnett. The artist used ink, watercolor, and iridescent acrylic to create this piece and signed it in the lower right. This piece depicts a portrait of Leonardo...

Space Rocks, 2020, watercolor, oil pastel, black, creatures, graphite, fantasy. Hand signed by artist Certificate of Authenticity included Framing available

Watercolor on paper, framed. Pond Friend, 2020, watercolor, oil pastel, green, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Contemporary organic abstract watercolor painting by Texas-based artist Tina Ruyi. The work features red, blue, and yellow cylindrical shapes in a wavy pattern reminiscent of a rolli...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...