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Joseph Stella
Still Life (Figurine)

1943

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Botanical Ink and Watercolor Painting by Kate Roebuck 'Jungalow'
By Kate Roebuck
Located in White Plains, NY
'Jungalow' 2021 by Kate Roebuck. Ink and watercolor on handmade watercolor paper with decked edge. 30 x 22 inches. This work features a classic botanical ...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Ink, Watercolor, Handmade Paper

Colorful, Faux-Naïf Painting by Adam Handler 'Summer Vacation Ghost'
By Adam Handler
Located in White Plains, NY
'Summer Vacation Ghost' by Adam Handler, 2024. Oil stick and pencil on linen, 20 x 16 in. This painting by contemporary artist Adam Handler features a blushing ghost, accented by sma...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil Crayon, Carbon Pencil

Colorful, Faux-Naïf Painting by Adam Handler 'Peek-a-boo Ghost in Spring'
By Adam Handler
Located in White Plains, NY
'Peek-a-boo Ghost in Spring" by Adam Handler. 34 x 40 in. Oil stick and pencil on linen. This painting by contemporary artist Adam Handler features a light pink and yellow palette. T...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil Crayon, Carbon Pencil

Abstract Painting by Antonio Carreno, 'Blue Light'
By Antonio Carreno
Located in White Plains, NY
'Blue Light' by Antonio Carreno, 2005. Mixed media on paper, 32 x 40 in. / Frame: 34 x 42.25 in. The drawing in Antonio’s paintings evolved into a personal form of graphic expression...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Colorful Abstract Ink and Watercolor Painting, Diptych, by Kate Roebuck 'Waves'
By Kate Roebuck
Located in White Plains, NY
'Waves' 2021 by Kate Roebuck. Ink and watercolor on handmade watercolor paper with decked edge, diptych. 27 x 40 inches, 27 x 20 in each. This colorful ab...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Ink, Watercolor, Handmade Paper

Abstract Work on Paper by Clay Johnson, Untitled (#725)
By Clay Johnson
Located in White Plains, NY
'Untitled (#725)' 2023 by American artist, Clay Johnson. Acrylic on Arches paper, 20 x 16 in. This colorful abstract painting features bands of colors in orange, red, pink, white, an...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

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Two Pears, Modern Color Pencil on Paper by Robert Kulicke
By Robert Kulicke
Located in Long Island City, NY
Robert Kulicke, American (1924 - 2007) - Two Pears, Year: 1976, Medium: Color Pencil on Paper, signed and dated in pencil, Image Size: 4.5 x 5.5 inches, Size: 4 x 7 in. (10.16 x ...
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Carrot, Modern Color Marker and Pencil Drawing by Van Amerige
Located in Long Island City, NY
Van Amerige - Carrot, Year: 1969, Medium: Color Marker and Pencil Drawing, Image Size: 13.75 x 10.75 inches, Size: 22.25 x 15 in. (56.52 x 38.1 cm)
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Two Wood Ducks on a Flowering Branch
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...
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Herony III - color pencil drawing of newly hatched Heron
By Sylvia Beckman
Located in Chicago, IL
This color pencil drawing is reminiscent of a John James Audubon drawing with its precision and attention to detail, from the top of its downy head to its craggy feet. A baby heron...
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21st Century and Contemporary Contemporary Animal Drawings and Watercolors

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David Morrison, Stick Series No. 13, Photorealist colored pencil drawing, 2015
By David Morrison
Located in New York, NY
Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...
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Jardin Imprévu Pivoines, Original Drawing, Flowers, Peonies, Garden
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Oil based color pencils on archival paper pu...
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