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19th Century Watercolour - Parrot Tulip Posy

19th Century

A pretty, impressionist Chinese watercolour showing a cut crystal vase full of red roses with fruit scattered around. The artist has signed to the lower right and the painting has be...

A still life depicting vines and grapes beside an urn. Well-presented glazed in a blue card mount with a gilt-effect border and a gilt-effect wooden frame. Signed and dated to the lo...

With this colorful and minimalist watercolor by the artist Jae Carmichael, we are immersed in the vibrant world of Fauvism, as championed by Henri Matisse. Color above all, and perhaps even more than drawing, is a liberation," serves as a guiding principle in understanding this piece. This artwork serves as a nod to pay homage to Matisse's pioneering approach to color and form, mainly as found in all his cutting work, like his “Book-flowers,” where we witness the systematic arrangement of simplified yet dynamic forms delineated by sharp contours reminiscent of cut-out shapes. The artist's bold experimentation with color is evident, with striking contrasts between different hues—where vibrant yellows boldly clash with deep indigo, and audacious blues stand alongside vibrant greens. Jae Carmichael, much like his Fauvist counterparts, employs broad swathes of pure, vivid colors to evoke emotion and captivate the viewer. This piece, crafted with meticulous attention, showcases the artist's mastery in harnessing the power of color to convey mood and atmosphere. It is signed CC, her last signature. Whether portraying the distinctive petals and pistils of squash blossoms or capturing the essence of simpler floral motifs, the impact of color reigns supreme. In this piece, the subject matter seems to fade into the background, overshadowed by the sheer force and intensity of the artist's chromatic exploration. Born in Los Angeles, California, Jae Carmichael studied at Mills College and earned a BFA from the University of Southern California...

Charming watercolor of red and green apples with an interesting composition by P. Dymond (American, 20th Century), circa 2000. Signed upper right corner. Presented in a metal frame. ...